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THE WIT OF MOUNT STREET;
or,
HER HEART IN NUMBERS.
(Continued from page 28.)
CHAPTER III.
Crossed Letters.
Mr. Radcliffe read his own maga–zine on the first of every monthat seven o’clock in the morning, fromthe wrapper to the last advertisement,before anybody in London could tellhim what was in it.
He did not read it in proof. In proofa magazine was a matter of sheets anderrors, and he left it to Hollis, the over–seer, who was paid to read for theprinter and read nothing else; but onthe first, with the ink scarcely dry andAlbemarle Street not yet awake, heread it as the town would read it, inhis chair, with his tea going cold at hiselbow, and he had found since he wasa boy in Edinburgh that it was the onlyway to know what he had published.
He read the very temperate art–icle in support of the magistrates, andfound it as temperate as he had paidfor. He read Mr. Wray’s second paperon the Cockney School, and found itbetter than the first, and noted the twoplaces in it where a paragraph stopped
short. Mr. Wray’s paragraphs did notstop short. He knew whose pencil hadstopped them. He did not think theworse of the paper for it, and he did notthink it his business to say so. Then heread the Warden, because it was in thenumber, and because Lord Ashcombewould write.
The eleventh number opened at afeast:
Upon the feast of Saint Michael, inthe year of grace fourteen hundred andthree, the Warden of the March kept histable in the hall at Ludlow as his officerequired of him, with his knights abovethe salt and his esquires below it, andthe hostages of the Welsh, who were ofgentle blood and must be fed as such, at aboard by themselves beneath the screen.
Between the King’s letter and thefeast the Warden had let the Battleof Shrewsbury go by, the one battleof the reign that the town knew fromthe playhouse, and not a blow of iton the page. Mr. Radcliffe, who had
asked on the first of September for alittle more incident, noted this as henoted everything that would not sell,and read on. There was a girl at thatboard, of whom he had not heard be–fore, and the number had hardly begunbefore it gave her a sentence to herself:
The Lady Gwenllian understood, be–tween the grace and the first dish, thatshe would not be called up to the hightable; and she sat out the rest of the feastin the gown that had been made for it,because to send for another would havebeen to own that she had hoped.
Mr. Radcliffe stopped.
He had not a literary memory. Hehad a commercial one. It kept whatthe town repeated, and the town hadbeen repeating Miss Mortimer’s gownsince August; so before he had well fin–ished the sentence he knew that he hadread it before, or its sister, and notin the Albemarle. He got up and wentto the press behind the door, wherehe kept every number of every maga–zine in London that he had read atseven o’clock on the first of the month.He took out the Ludgate for August,turned to the fourth number of theMortimers, and found it near the end:Miss Mortimer understood, between thesoup and the fish, that she would not beasked to Lady Harrowgate’s.
He laid the two magazines side byside upon the table, the buff wrapperand the blue, and read the two sen–
tences twice over, slowly, as he reada balance-sheet. Every figure had beencarried across but one.
He did not suppose for a momentthat the Author of the Mortimerswrote the Warden. He knew whowrote the Warden. He was one of twomen in London who did, and the otherhad written it. The first number hadbeen laid on this table eleven monthsago by its author, in a hand that Mr.Radcliffe had last seen at the foot of adeed of partnership; and he had keptthe knowledge ever since as he keptthe deed, in a place where nobody elsewould come upon it. What he had notknown until this minute was that theauthor of the Warden read the Mor–timers; and read them, it appeared,with the attention a man gives to athing he means to take. And he re–membered, because it was the kind ofthing he did remember, that on the firstof September he had read the Ludgatefrom cover to cover at seven o’clock,and that before noon his principal pro–prietor had picked it up off this tableand carried it away under his arm, andthat he had sat afterwards wonderingwhat the devil a man of ten thousand ayear wanted with a rival’s magazine.
He knew now. It was not a thingthat would interest the town, whichdid not read the Warden and wouldnot have known the sentence if it had.It would interest Albemarle Street a
great deal, and Paternoster Row agreat deal more; and it was worth,as far as Mr. Radcliffe could see, ex–actly as much as he did not say aboutit. That the Mortimers had robbedthe Warden first, in September, didnot occur to him at all. He had readthe paragraph in his own magazine inAugust, and again in Baldock’s in Sep–tember, and had not known it for thesame; for he kept only what the townrepeated, and the town had never re–peated the Warden. The one man whoever had was Lord Ashcombe, who hadnot read it. He put the August Lud–gate back in the press. Then he tookthe October number off the heap ofother people’s magazines, which hadbeen brought up from the shop at halfpast six, and laid it by itself on thecorner of the table nearest the door.
Mr. Lucius Wray called for his cop–ies at nine.
He was four-and-twenty, and hand–some in a way that he had not yetbeen made to pay for. He had been sentdown from Christ Church for a reasonthat improved with every telling, andhad quarrelled upon the strength of itwith his father, who was a dean; andhe had come up to London to makehis name by his pen, and wrote ina coffee-house in Covent Garden, anddined on credit, and had never set footin a counting-house in his life. Therewere perhaps three men in London
who could do with a paragraph whathe could do with one; he knew thenames of all three, and spoke to noneof them.
“I have been cut,” he said, before hehad sat down.
“I saw.”
“You saw. Hollis saw. The compos–itor saw, I dare say, and laughed; theyalways know.” He took up a copy of thenumber and turned to his own paper,which he had read four times already.“Two things. The two best things inthe paper, and I do not say so lightly,because there are a good many goodthings in it. The cook, and the lady ofthe Academy. I said that the Authormust keep a cook in Cheapside, sincehe knows to a shilling what the turbotcost and has not the least notion whois asked to eat it. And I said that theAcademy admitted flower-painting asit had admitted Miss Moser, out of po–liteness, and had been relieved of bothin May. It was the best sentence I havewritten this year.”
“It was a cruel one,” said Mr. Rad–cliffe. “She is not five months dead.”
“All the best sentences are cruel. Itis how one knows them.” Mr. Wrayturned a page. “But he left me therailings. I suppose because they weretrue; it is the only thing he ever asksof a sentence. And because they werehis: he gave them me at your table inAugust, over the port. One would think
he had been to Grosvenor Square.”
“He lives there.”
“I know where he lives,” said Mr.Wray. “I have been let in.”
Mr. Kinross came in at half pastnine, without being announced.
Mr. Wray rose, and bowed, an inchlower than a man bows who means it.“I have been thanking Mr. Radcliffe foryour corrections, sir.”
“They were not corrections,” saidMr. Kinross. “You had two thingswrong.”
“Which two?”
“Miss Moser was a better painterthan you are a writer. And the Authorhas never kept a cook.”
Mr. Wray laughed. He had a goodlaugh, and he used it as other men usea sword-cane. “You know the Author,then?”
“No. I know how a man writes whohas.”
“And the railings?”
“The railings were right.”
“I know,” said Mr. Wray. “You saidso at the time.”
Mr. Radcliffe, who had been lookingat the window, said: “The Ludgate ison the corner of the table, sir, if youwant it.”
Mr. Kinross looked at the Ludgate,lying by itself on the corner nearestthe door, where nobody had ever puta magazine before; and then he lookedat Mr. Radcliffe, who met his eye with
the expression of a physician who hasjust said that a patient is comfortable.There was a short pause. Mr. Wray,who was reading himself, did not lookup.
“Thank you,” said Mr. Kinross, andtook it.
It was the first thing, in all the yearsof their partnership, that Mr. Radcliffehad known about his principal propri–etor which his principal proprietor hadnot told him; and when the door hadclosed he put it away, as he put awayeverything, in the place where he keptthe things that would be worth morelater.
Mr. Kinross walked to the Temple,where he kept the chambers that hehad never needed for the law and hadalways needed for this. He had walkedthere every day for a month, and Fen–wick had given up asking whether hewould take the carriage, and had beguninstead, he observed without remark,to have his boots brushed twice.
At the desk he read Mr. Wray first.He had read him already, in proof, witha pencil; but he wished to know what itwas like to read him as the town wouldread him this morning, with nothing inhis hand.
There is a kind of painting whichstands at the bottom of the art, and is notthe worse for standing there: the paint–ing of flowers. It asks for a quick eye, asteady hand, and a perfect indifferenceto what the flowers are for. The Mor–timers of Mount Street is flower-paint–ing in prose. The petals are counted, andthe dew is put in afterwards; the coloursare true, and the arrangement pleases;and like all flower-painting it is the workof somebody to whom the flowers werebrought, and who has never been in thegarden. The Author has carried his fam–ily to Grosvenor Square and set the rail–ings at the kerb; he gives them their din–ner at six. Nobody who had once beenasked to dine in Grosvenor Square woulddo either. One learns where the railingsstand by being let in; and it is the pe–culiar distinction of the Cockney Schoolthat it describes the drawing-room fromthe wrong side of the railings.
It was very good. That was theworst of it.
The railings were his own. He hadwritten them first in the margin of theAugust Ludgate, with the brevity ofa man who had never had to explainhimself; and a week later, at Mr. Rad–cliffe’s table, when Mr. Wray askedhim over the port what he made ofthe Mortimers, he had told him, rail–ings and dinner-hour together, as hetold anybody anything that was true,without looking to see who was listen–ing. He had thought no more of it untilthe proof came to him in the middle of
September, and he found his two cor–rections in it, grown to a paragraph.He had struck out Miss Moser, becauseshe was dead and could not answer,and the cook, because it was not true;and he had let the railings stand. Hehad known when he let them stand thatthey would be read on the first of Octo–ber by a young man with sisters; thatthey would be read on the same morn–ing, very likely in the same hour, as theWarden’s answer to him; and he hadlet them stand, because they were true,and because the alternative was to bea man who struck out what was truewhen it was inconvenient to him, andhe had no intention, at two-and-thirty,of beginning. He found now, readingthem with the town, that he did not likehimself for it, and that he would do itagain. It is the condition which in othermen is called principle, and which hisaunt called a great pity.
Then he opened the Ludgate.
This month’s number was about Mr.Mortimer. The Author had kept thepromise of the last, which he did notalways do, and had told the readerwhy Thomas gave notice. Mr. Mor–timer, having learned from somebodyat his club that in the great housesevery footman is called James, hadcalled Thomas James for a month;and Thomas, who had been Thomasin Manchester for eleven years, hadborne it for a month and gone, with
his box corded and one sentence at thedoor: I was Thomas in Manchester, sir,and I find I cannot be James for thirtypounds. Mr. Mortimer could not see it.Mrs. Mortimer could not see it. Thebutler, who could, was not asked. Mr.Kinross, who had lately begun to keepan hour on the first of the month for theMortimers, found that he was readingwarily, and with reason. At the end ofthe number the Author left Mr. Mor–timer alone in his dining-room with thedecanter and the knowledge, and gavehim this:
Mr. Mortimer had kept the peace of hishouse in Mount Street for nine months,at a charge, by the housekeeper’s book,of eleven hundred pounds; and he learnedin the keeping, though the book did nottell him so, that it was a thing more eas–ily broken by the keeper than by the kept,and not to be mended, at any chargewhatever, by the man who had broken it.
He did not need to take down theWarden’s answer to the King. He hadwritten that sentence eleven times.
It was his again, as the footman hadbeen his, and again it had been carriedinto a house where somebody knewwhat things cost, and had the price putinto it: the nine years of the Marchwere nine months of Mount Street, andthe peace of a kingdom had become ahousekeeper’s book with eleven hun–dred pounds at the foot of the page.But the last clause was not his. He had
not thought of it. It had not once oc–curred to him, in the Marches or out ofthem, that a thing broken by its keepermight be past the keeper’s mending;and he sat with the Ludgate in his handand the Albemarle open beside it at Mr.Wray’s railings, and considered thathe had that morning, at his own leaveand in his own magazine, broken some–thing that he did not see how he was tomend.
The young man had read theWarden’s answer to the King, then.In the first days of September, whilethe Warden was answering him withthe Lady Gwenllian, he had been help–ing himself again, and sent this to thepress by the tenth of the month, be–fore he could have the least notion thatthe Warden had answered him at all.Each of them had answered a letterthe other had not yet received. Thepost in this correspondence went oncea month, on the first; and this morn–ing it had carried both answers at once,and had carried with them, in the Albe–marle, by the proprietor’s leave, LuciusWray. Mr. Kinross had sent his firstletter, that is to say, in the same postas a horsewhip; and he had packed thehorsewhip himself.
It occurred to him, sitting there,that he did not know what his ownfootmen were called. He had neverasked. Fenwick would know; and forthe first time in his life Mr. Kinross was
not perfectly certain that the namesFenwick knew them by were their own.
He took up his pencil. Against thelast clause of Mr. Mortimer’s sentence,which was the only part of it that wasnot his, he wrote one word in the mar–gin, as he had written one word inAugust; and the word, this time, wastrue.
Clemency went up to the Row atnoon, as she did on the first of everymonth, to look at her own number inBaldock’s window without buying it.
It was there, in its blue-grey wrap–per, between a volume of sermons anda treatise upon the dry rot, with thecontents printed down the front of itin the small, plain, Whig type that Mr.Baldock bought by the hundredweight:The Mortimers of Mount Street. No.VI. She looked at it for the properlength of time, which was the length oftime a stranger might give it, and wasturning away when the window of theoffice above went up with a bang, andMr. Baldock put his head out and calledher in. He had never done it before.She went up the stairs with the feeling,familiar to anyone who has ever beensent for, of having already been foundout in something.
The October Albemarle lay open onhis desk. He did not offer it to her. Heput his hand flat upon it, as she hadonce put hers flat upon his counter, and
said: “Mr. Wray has done you the hon–our.”
“Is it very bad?”
“It is clever,” said Mr. Baldock, whowas an honest man. “He has read you.I told you they would.” He looked ather over his spectacles, which he worefor reading other men’s magazines andfor nothing else. “He will sell threehundred Ludgates for me before Sat–urday. They always do. I thought youhad better hear it from me than fromthe Row.”
“May I see it?”
“You may take it home. I have an–other.” He did not take his hand offit. “I should read it at home, with thedoor shut. It is not a thing to read in ashop.”
“Then I will read it at home,” saidClemency, and did not take it, becauseshe found that she did not want tocarry it through the streets; and Mr.Baldock, who understood her, put itaway in his drawer with the Man–chester page and the August accounts,and changed the subject, which wasthe kindest thing he did all day.
The subject he changed it to wasnot a comfortable one. They were totry Carlile at Guildhall this month, hesaid, for printing Paine; it was all overthe Row; and the Attorney-General,having begun with Carlile, was notthought likely to stop there. Mr. Bal–dock had printed the names of the dead
from St. Peter’s Field in September,with their ages and their trades, in asmaller type than the rest of the num–ber because there had not been roomfor them in any other. He did not saythat they would come for the Ludgate.He said that he had read his lease againon Tuesday night, which he had notdone in two years, and that he hadfound it a very instructive document.
Clemency, who had paid thequarter’s rent in Salisbury Square onWednesday, Michaelmas Day, with thewhole of September’s seven guineasand the better part of August’s, con–sidered this for a moment in the light ofher own lease, which ran from quarter-day to quarter-day and contained noinstruction at all.
“Then I had better write the seventhnumber quickly,” she said, “while thereis a Ludgate to print it.”
Mr. Baldock laughed, which waswhat she had meant him to do. “Bringit by the tenth. If there is a Ludgateon the first of November you shall bein it; and if there is not, you shall bepaid for it all the same.” He meantit. She knew, and she thought that heknew, that it was not a thing a mancould promise who had read his leaseon Tuesday night; and they parted onit, as people do part on a kindness thatneither of them can afford.
She went home by Ludgate Hill.There was a crowd at a print-shop
window halfway down, as there hadbeen all September, five deep on thepavement, looking at the yeomanry rid–ing down the people at Manchester inred and black: coloured by hand, at somuch the dozen, by somebody’s daugh–ter in a back room, with rather morered than was strictly needed. She wentby on the far side of the street, and didnot look, and saw it all the same, andthought, as she turned down into Salis–bury Court, that she knew exactly howmuch red was needed, and that it wasnone of it hers to put in.
The Albemarle came to SalisburySquare on the first of October, on theday it was published, which it hadnever done before.
Mr. Pelham had read one article init in Hare Court before his dinner, andhad laughed at it twice, and had sentit home with Kit at six o’clock, withhis compliments to Mrs. Lydiard andthe young ladies and his opinion thatthey would find it capital. Kit broughtit up the two pair of stairs togetherwith a barrel of oysters, which he hadbought out of Michaelmas; his fortypounds had been paid on Wednesday,and was, for the present, entire. It wasa Friday, and there was fish, because inMrs. Lydiard’s house there was alwaysfish on a Friday; and the oysters, whichMrs. Lydiard said were very extravag–ant and ate eleven of, made a feast of
it.
Kit read aloud. He read well, andknew it, and liked an audience thatcould not get up and go; and hepropped the Albemarle against thewater-jug and gave them Mr. Wray’ssecond paper on the Cockney Schoolfrom the beginning, with the expres–sion. Nobody at the table knew whatClemency wrote for the Ludgate, bey–ond that it was a little, and was paidfor, and was not the kind of thing thatanybody in Salisbury Square had everasked to see.
Clemency knew what it was fromthe first sentence, because Mr. Bal–dock had told her, and from the second,because it named the Mortimers. Shewent on eating her fish.
“The Mortimers!” said Lucy. “Oh,but I like the Mortimers. Miss Harkerlends them to me. I think them excess–ively diverting.”
“Then you have no taste, and Mr.Wray will tell you so.” Kit found hisplace. “There is a kind of paintingwhich stands at the bottom of the art—”
He gave them the flower-painting,and the petals counted, and the dewput in afterwards; and Clemency, whohad a portfolio under her bed thatnobody in the room had ever lookedinto, found that her hand was steadyand that she could not taste the cod.
Mrs. Lydiard, who had been mend–ing a cuff of Kit’s with the air of
a woman who does not listen to themagazines, said without looking up:“Miss Moser painted flowers.”
“Who?”
“Miss Moser. She was of the RoyalAcademy.” Mrs. Lydiard drew herthread through. “The Queen had herto paint a whole room at Frogmore.Flowers from the floor to the ceiling.Nobody thought that the bottom ofanything.”
“Did you know her, Mama?” saidLucy.
“Everybody knew of her.” Therewas a short pause. “She died in May.”
It was the first time that Clemencyhad ever heard her mother name apainter. She looked across the table,and Mrs. Lydiard said, “Go on, Kit,”in the voice in which she ordered thefish; and Kit went on. But the needlehad stopped in the cuff, and it did notbegin again, Clemency noticed, for therest of the paper.
Then Kit came to the railings.
He gave it the voice of a verdict, andlingered over the end of it: it describesthe drawing-room from the wrong sideof the railings.
“That’s a hit,” said Kit, delighted.“That’s a palpable hit.”
“Is it true?” said Clemency.
“Of course it’s true. Pelham says so.Pelham dined in Grosvenor Square inthe year eleven and has talked of noth–ing else since.” He refilled his glass.
“The railings go along the area, Clem,to keep you from falling into the kit–chen. Anybody knows that.”
Anybody who had been let in knewit. She sat with her fork in her handand saw, with the sudden plainnesswith which one sees the mistake in asum that has been added up wrong fora month, where she had got her rail–ings. In Bread Street there had beenposts along the kerb, to keep the cartsoff the pavement, and she had grownup behind them; and when she hadneeded a house in Grosvenor Squareshe had built it out of the only streetshe knew, and set the railings wherethe posts were. She had never been inGrosvenor Square. She had never beenin Mount Street. She had written sixnumbers about a house in it, and soldthem, and been liked for them by alady in Russell Square, and she hadnever once walked down it, becauseone cannot walk down Mount Streetwith a parcel, and she had never hadany reason to be there without one.
“Have you anything in the Ludgatethis month, Clem?” said Kit, turningthe page.
“A little.”
“What about?”
“A footman.”
Kit laughed so much that he had toput the Albemarle down. “Lord, Clem,you might write about something,” hesaid; and Lucy laughed too, because
Kit had, and their mother said thatshe did not see that a footman wasany laughing matter, she had known agreat many; and the supper went on.
Clemency sat it out. She sat out theoysters, and Mr. Wray’s peroration,and the cheese, and Kit’s opinion of theCockney School, which was Mr. Pel–ham’s, because to have got up and goneinto the back room would have been toown that any of it was hers.
They went to bed at eleven. Kit leftthe Albemarle on the table among theoyster shells, as he left everything, andClemency waited until the house haddone creaking, and then took it, anda candle, through to the back room,where the desk was.
She read Mr. Wray again by herself,from the beginning, which was worsethan hearing it. It was clever; Mr. Bal–dock was right. He had read her, andread her more carefully than she hadsupposed anybody in Albemarle Streetread anything, and he had found theone thing in six numbers that she couldnot have known, and had known thatshe could not have known it. She wouldgo and look at Mount Street. She didnot yet know how a woman walkeddown Mount Street without a parcel,or what she would say to anyone whoasked her what she was doing there;but she would find out, as she found outmost things, by taking more trouble
about it than it deserved.
Then she turned the page past Mr.Wray, because the Warden was inthe number, and she read the Wardennow. She sat down to it. It was one ofthe things she did not do.
The eleventh number opened atLudlow at Michaelmas, which theWarden kept with a feast and Salis–bury Square had kept on Wednesdaywith the rent; and there was a girl atthe feast: a Welsh girl, a hostage, thefirst woman to whom the Warden hadgiven a sentence of her own in elevennumbers. Clemency did not know thesentence at once. She read it as onereads a letter in a strange hand, andshe was halfway through the secondclause before the hand turned out to beher own.
The Lady Gwenllian understood, be–tween the grace and the first dish, thatshe would not be called up to the hightable; and she sat out the rest of the feastin the gown that had been made for it,because to send for another would havebeen to own that she had hoped.
She sat quite still.
It was Miss Mortimer. It was MissMortimer to the last stone, exceptwhere it was not: the soup and thefish had gone back four hundred yearsand become a grace and a dish, LadyHarrowgate’s had become a high table,and the gown had been made for thefeast instead of merely put on for it.
And at the end, where she had writ–ten that the girl would not go up andchange because to change would be toadmit that she had known, somebodyhad taken out the one word on whichthe whole sentence turned, and put inanother; and the word was hoped.
It had been read, then. Not lookedinto, nor subscribed to, nor taken topieces over the oysters, but read: thefourth number, in August, throughMrs. Mortimer’s carriage and the din–ner at six, to the one sentence in it shehad been proud of and had shown tonobody. And whoever had read it hadknown that it was hers to be proud of,and had taken it, which was the onlyway of saying so that was open to him;and had sent it back to her on the firstof October, as she had sent him hison the first of September, so that sheshould know that it had been noticed.She had been right in every particularbut the last. A man of that kind didread the Mortimers. He had read them,it seemed, as she read the Warden.
Over the roofs the giants of St. Dun–stan’s began to strike twelve, and thefirst of October went out with them.
She had never been able to decidewhat the girl in her portfolio wouldlook like at the moment she under–stood. There was nobody in the roomto see her face.
(To be continued.)
THE WIT OF MOUNT STREET;
or,
HER HEART IN NUMBERS.
(Continued from page 28.)
CHAPTER III.
Crossed Letters.
Mr. Radcliffe read his own magazine on the first of every month at seven o’clock in the morning, from the wrapper to the last advertisement, before anybody in London could tell him what was in it.
He did not read it in proof. In proof a magazine was a matter of sheets and errors, and he left it to Hollis, the overseer, who was paid to read for the printer and read nothing else; but on the first, with the ink scarcely dry and Albemarle Street not yet awake, he read it as the town would read it, in his chair, with his tea going cold at his elbow, and he had found since he was a boy in Edinburgh that it was the only way to know what he had published.
He read the very temperate article in support of the magistrates, and found it as temperate as he had paid for. He read Mr. Wray’s second paper on the Cockney School, and found it better than the first, and noted the two places in it where a paragraph stopped short. Mr. Wray’s paragraphs did not stop short. He knew whose pencil had stopped them. He did not think the worse of the paper for it, and he did not think it his business to say so. Then he read the Warden, because it was in the number, and because Lord Ashcombe would write.
The eleventh number opened at a feast:
Upon the feast of Saint Michael, in the year of grace fourteen hundred and three, the Warden of the March kept his table in the hall at Ludlow as his office required of him, with his knights above the salt and his esquires below it, and the hostages of the Welsh, who were of gentle blood and must be fed as such, at a board by themselves beneath the screen.
Between the King’s letter and the feast the Warden had let the Battle of Shrewsbury go by, the one battle of the reign that the town knew from the playhouse, and not a blow of it on the page. Mr. Radcliffe, who had
asked on the first of September for a little more incident, noted this as he noted everything that would not sell, and read on. There was a girl at that board, of whom he had not heard before, and the number had hardly begun before it gave her a sentence to herself:
The Lady Gwenllian understood, between the grace and the first dish, that she would not be called up to the high table; and she sat out the rest of the feast in the gown that had been made for it, because to send for another would have been to own that she had hoped.
Mr. Radcliffe stopped.
He had not a literary memory. He had a commercial one. It kept what the town repeated, and the town had been repeating Miss Mortimer’s gown since August; so before he had well finished the sentence he knew that he had read it before, or its sister, and not in the Albemarle. He got up and went to the press behind the door, where he kept every number of every magazine in London that he had read at seven o’clock on the first of the month. He took out the Ludgate for August, turned to the fourth number of the Mortimers, and found it near the end: Miss Mortimer understood, between the soup and the fish, that she would not be asked to Lady Harrowgate’s.
He laid the two magazines side by side upon the table, the buff wrapper and the blue, and read the two sentences twice over, slowly, as he read a balance-sheet. Every figure had been carried across but one.
He did not suppose for a moment that the Author of the Mortimers wrote the Warden. He knew who wrote the Warden. He was one of two men in London who did, and the other had written it. The first number had been laid on this table eleven months ago by its author, in a hand that Mr. Radcliffe had last seen at the foot of a deed of partnership; and he had kept the knowledge ever since as he kept the deed, in a place where nobody else would come upon it. What he had not known until this minute was that the author of the Warden read the Mortimers; and read them, it appeared, with the attention a man gives to a thing he means to take. And he remembered, because it was the kind of thing he did remember, that on the first of September he had read the Ludgate from cover to cover at seven o’clock, and that before noon his principal proprietor had picked it up off this table and carried it away under his arm, and that he had sat afterwards wondering what the devil a man of ten thousand a year wanted with a rival’s magazine.
He knew now. It was not a thing that would interest the town, which did not read the Warden and would not have known the sentence if it had. It would interest Albemarle Street a
great deal, and Paternoster Row a great deal more; and it was worth, as far as Mr. Radcliffe could see, exactly as much as he did not say about it. That the Mortimers had robbed the Warden first, in September, did not occur to him at all. He had read the paragraph in his own magazine in August, and again in Baldock’s in September, and had not known it for the same; for he kept only what the town repeated, and the town had never repeated the Warden. The one man who ever had was Lord Ashcombe, who had not read it. He put the August Ludgate back in the press. Then he took the October number off the heap of other people’s magazines, which had been brought up from the shop at half past six, and laid it by itself on the corner of the table nearest the door.
Mr. Lucius Wray called for his copies at nine.
He was four-and-twenty, and handsome in a way that he had not yet been made to pay for. He had been sent down from Christ Church for a reason that improved with every telling, and had quarrelled upon the strength of it with his father, who was a dean; and he had come up to London to make his name by his pen, and wrote in a coffee-house in Covent Garden, and dined on credit, and had never set foot in a counting-house in his life. There were perhaps three men in London who could do with a paragraph what he could do with one; he knew the names of all three, and spoke to none of them.
“I have been cut,” he said, before he had sat down.
“I saw.”
“You saw. Hollis saw. The compositor saw, I dare say, and laughed; they always know.” He took up a copy of the number and turned to his own paper, which he had read four times already. “Two things. The two best things in the paper, and I do not say so lightly, because there are a good many good things in it. The cook, and the lady of the Academy. I said that the Author must keep a cook in Cheapside, since he knows to a shilling what the turbot cost and has not the least notion who is asked to eat it. And I said that the Academy admitted flower-painting as it had admitted Miss Moser, out of politeness, and had been relieved of both in May. It was the best sentence I have written this year.”
“It was a cruel one,” said Mr. Radcliffe. “She is not five months dead.”
“All the best sentences are cruel. It is how one knows them.” Mr. Wray turned a page. “But he left me the railings. I suppose because they were true; it is the only thing he ever asks of a sentence. And because they were his: he gave them me at your table in August, over the port. One would think
he had been to Grosvenor Square.”
“He lives there.”
“I know where he lives,” said Mr. Wray. “I have been let in.”
Mr. Kinross came in at half past nine, without being announced.
Mr. Wray rose, and bowed, an inch lower than a man bows who means it. “I have been thanking Mr. Radcliffe for your corrections, sir.”
“They were not corrections,” said Mr. Kinross. “You had two things wrong.”
“Which two?”
“Miss Moser was a better painter than you are a writer. And the Author has never kept a cook.”
Mr. Wray laughed. He had a good laugh, and he used it as other men use a sword-cane. “You know the Author, then?”
“No. I know how a man writes who has.”
“And the railings?”
“The railings were right.”
“I know,” said Mr. Wray. “You said so at the time.”
Mr. Radcliffe, who had been looking at the window, said: “The Ludgate is on the corner of the table, sir, if you want it.”
Mr. Kinross looked at the Ludgate, lying by itself on the corner nearest the door, where nobody had ever put a magazine before; and then he looked at Mr. Radcliffe, who met his eye with the expression of a physician who has just said that a patient is comfortable. There was a short pause. Mr. Wray, who was reading himself, did not look up.
“Thank you,” said Mr. Kinross, and took it.
It was the first thing, in all the years of their partnership, that Mr. Radcliffe had known about his principal proprietor which his principal proprietor had not told him; and when the door had closed he put it away, as he put away everything, in the place where he kept the things that would be worth more later.
Mr. Kinross walked to the Temple, where he kept the chambers that he had never needed for the law and had always needed for this. He had walked there every day for a month, and Fenwick had given up asking whether he would take the carriage, and had begun instead, he observed without remark, to have his boots brushed twice.
At the desk he read Mr. Wray first. He had read him already, in proof, with a pencil; but he wished to know what it was like to read him as the town would read him this morning, with nothing in his hand.
There is a kind of painting which stands at the bottom of the art, and is not the worse for standing there: the painting of flowers. It asks for a quick eye, a steady hand, and a perfect indifference to what the flowers are for. The Mortimers of Mount Street is flower-painting in prose. The petals are counted, and the dew is put in afterwards; the colours are true, and the arrangement pleases; and like all flower-painting it is the work of somebody to whom the flowers were brought, and who has never been in the garden. The Author has carried his family to Grosvenor Square and set the railings at the kerb; he gives them their dinner at six. Nobody who had once been asked to dine in Grosvenor Square would do either. One learns where the railings stand by being let in; and it is the peculiar distinction of the Cockney School that it describes the drawing-room from the wrong side of the railings.
It was very good. That was the worst of it.
The railings were his own. He had written them first in the margin of the August Ludgate, with the brevity of a man who had never had to explain himself; and a week later, at Mr. Radcliffe’s table, when Mr. Wray asked him over the port what he made of the Mortimers, he had told him, railings and dinner-hour together, as he told anybody anything that was true, without looking to see who was listening. He had thought no more of it until the proof came to him in the middle of September, and he found his two corrections in it, grown to a paragraph. He had struck out Miss Moser, because she was dead and could not answer, and the cook, because it was not true; and he had let the railings stand. He had known when he let them stand that they would be read on the first of October by a young man with sisters; that they would be read on the same morning, very likely in the same hour, as the Warden’s answer to him; and he had let them stand, because they were true, and because the alternative was to be a man who struck out what was true when it was inconvenient to him, and he had no intention, at two-and-thirty, of beginning. He found now, reading them with the town, that he did not like himself for it, and that he would do it again. It is the condition which in other men is called principle, and which his aunt called a great pity.
Then he opened the Ludgate.
This month’s number was about Mr. Mortimer. The Author had kept the promise of the last, which he did not always do, and had told the reader why Thomas gave notice. Mr. Mortimer, having learned from somebody at his club that in the great houses every footman is called James, had called Thomas James for a month; and Thomas, who had been Thomas in Manchester for eleven years, had borne it for a month and gone, with
his box corded and one sentence at the door: I was Thomas in Manchester, sir, and I find I cannot be James for thirty pounds. Mr. Mortimer could not see it. Mrs. Mortimer could not see it. The butler, who could, was not asked. Mr. Kinross, who had lately begun to keep an hour on the first of the month for the Mortimers, found that he was reading warily, and with reason. At the end of the number the Author left Mr. Mortimer alone in his dining-room with the decanter and the knowledge, and gave him this:
Mr. Mortimer had kept the peace of his house in Mount Street for nine months, at a charge, by the housekeeper’s book, of eleven hundred pounds; and he learned in the keeping, though the book did not tell him so, that it was a thing more easily broken by the keeper than by the kept, and not to be mended, at any charge whatever, by the man who had broken it.
He did not need to take down the Warden’s answer to the King. He had written that sentence eleven times.
It was his again, as the footman had been his, and again it had been carried into a house where somebody knew what things cost, and had the price put into it: the nine years of the March were nine months of Mount Street, and the peace of a kingdom had become a housekeeper’s book with eleven hundred pounds at the foot of the page. But the last clause was not his. He had not thought of it. It had not once occurred to him, in the Marches or out of them, that a thing broken by its keeper might be past the keeper’s mending; and he sat with the Ludgate in his hand and the Albemarle open beside it at Mr. Wray’s railings, and considered that he had that morning, at his own leave and in his own magazine, broken something that he did not see how he was to mend.
The young man had read the Warden’s answer to the King, then. In the first days of September, while the Warden was answering him with the Lady Gwenllian, he had been helping himself again, and sent this to the press by the tenth of the month, before he could have the least notion that the Warden had answered him at all. Each of them had answered a letter the other had not yet received. The post in this correspondence went once a month, on the first; and this morning it had carried both answers at once, and had carried with them, in the Albemarle, by the proprietor’s leave, Lucius Wray. Mr. Kinross had sent his first letter, that is to say, in the same post as a horsewhip; and he had packed the horsewhip himself.
It occurred to him, sitting there, that he did not know what his own footmen were called. He had never asked. Fenwick would know; and for the first time in his life Mr. Kinross was
not perfectly certain that the names Fenwick knew them by were their own.
He took up his pencil. Against the last clause of Mr. Mortimer’s sentence, which was the only part of it that was not his, he wrote one word in the margin, as he had written one word in August; and the word, this time, was true.
Clemency went up to the Row at noon, as she did on the first of every month, to look at her own number in Baldock’s window without buying it.
It was there, in its blue-grey wrapper, between a volume of sermons and a treatise upon the dry rot, with the contents printed down the front of it in the small, plain, Whig type that Mr. Baldock bought by the hundredweight: The Mortimers of Mount Street. No. VI. She looked at it for the proper length of time, which was the length of time a stranger might give it, and was turning away when the window of the office above went up with a bang, and Mr. Baldock put his head out and called her in. He had never done it before. She went up the stairs with the feeling, familiar to anyone who has ever been sent for, of having already been found out in something.
The October Albemarle lay open on his desk. He did not offer it to her. He put his hand flat upon it, as she had once put hers flat upon his counter, and said: “Mr. Wray has done you the honour.”
“Is it very bad?”
“It is clever,” said Mr. Baldock, who was an honest man. “He has read you. I told you they would.” He looked at her over his spectacles, which he wore for reading other men’s magazines and for nothing else. “He will sell three hundred Ludgates for me before Saturday. They always do. I thought you had better hear it from me than from the Row.”
“May I see it?”
“You may take it home. I have another.” He did not take his hand off it. “I should read it at home, with the door shut. It is not a thing to read in a shop.”
“Then I will read it at home,” said Clemency, and did not take it, because she found that she did not want to carry it through the streets; and Mr. Baldock, who understood her, put it away in his drawer with the Manchester page and the August accounts, and changed the subject, which was the kindest thing he did all day.
The subject he changed it to was not a comfortable one. They were to try Carlile at Guildhall this month, he said, for printing Paine; it was all over the Row; and the Attorney-General, having begun with Carlile, was not thought likely to stop there. Mr. Baldock had printed the names of the dead
from St. Peter’s Field in September, with their ages and their trades, in a smaller type than the rest of the number because there had not been room for them in any other. He did not say that they would come for the Ludgate. He said that he had read his lease again on Tuesday night, which he had not done in two years, and that he had found it a very instructive document.
Clemency, who had paid the quarter’s rent in Salisbury Square on Wednesday, Michaelmas Day, with the whole of September’s seven guineas and the better part of August’s, considered this for a moment in the light of her own lease, which ran from quarter-day to quarter-day and contained no instruction at all.
“Then I had better write the seventh number quickly,” she said, “while there is a Ludgate to print it.”
Mr. Baldock laughed, which was what she had meant him to do. “Bring it by the tenth. If there is a Ludgate on the first of November you shall be in it; and if there is not, you shall be paid for it all the same.” He meant it. She knew, and she thought that he knew, that it was not a thing a man could promise who had read his lease on Tuesday night; and they parted on it, as people do part on a kindness that neither of them can afford.
She went home by Ludgate Hill. There was a crowd at a print-shop window halfway down, as there had been all September, five deep on the pavement, looking at the yeomanry riding down the people at Manchester in red and black: coloured by hand, at so much the dozen, by somebody’s daughter in a back room, with rather more red than was strictly needed. She went by on the far side of the street, and did not look, and saw it all the same, and thought, as she turned down into Salisbury Court, that she knew exactly how much red was needed, and that it was none of it hers to put in.
The Albemarle came to Salisbury Square on the first of October, on the day it was published, which it had never done before.
Mr. Pelham had read one article in it in Hare Court before his dinner, and had laughed at it twice, and had sent it home with Kit at six o’clock, with his compliments to Mrs. Lydiard and the young ladies and his opinion that they would find it capital. Kit brought it up the two pair of stairs together with a barrel of oysters, which he had bought out of Michaelmas; his forty pounds had been paid on Wednesday, and was, for the present, entire. It was a Friday, and there was fish, because in Mrs. Lydiard’s house there was always fish on a Friday; and the oysters, which Mrs. Lydiard said were very extravagant and ate eleven of, made a feast of
it.
Kit read aloud. He read well, and knew it, and liked an audience that could not get up and go; and he propped the Albemarle against the water-jug and gave them Mr. Wray’s second paper on the Cockney School from the beginning, with the expression. Nobody at the table knew what Clemency wrote for the Ludgate, beyond that it was a little, and was paid for, and was not the kind of thing that anybody in Salisbury Square had ever asked to see.
Clemency knew what it was from the first sentence, because Mr. Baldock had told her, and from the second, because it named the Mortimers. She went on eating her fish.
“The Mortimers!” said Lucy. “Oh, but I like the Mortimers. Miss Harker lends them to me. I think them excessively diverting.”
“Then you have no taste, and Mr. Wray will tell you so.” Kit found his place. “There is a kind of painting which stands at the bottom of the art—”
He gave them the flower-painting, and the petals counted, and the dew put in afterwards; and Clemency, who had a portfolio under her bed that nobody in the room had ever looked into, found that her hand was steady and that she could not taste the cod.
Mrs. Lydiard, who had been mending a cuff of Kit’s with the air of a woman who does not listen to the magazines, said without looking up: “Miss Moser painted flowers.”
“Who?”
“Miss Moser. She was of the Royal Academy.” Mrs. Lydiard drew her thread through. “The Queen had her to paint a whole room at Frogmore. Flowers from the floor to the ceiling. Nobody thought that the bottom of anything.”
“Did you know her, Mama?” said Lucy.
“Everybody knew of her.” There was a short pause. “She died in May.”
It was the first time that Clemency had ever heard her mother name a painter. She looked across the table, and Mrs. Lydiard said, “Go on, Kit,” in the voice in which she ordered the fish; and Kit went on. But the needle had stopped in the cuff, and it did not begin again, Clemency noticed, for the rest of the paper.
Then Kit came to the railings.
He gave it the voice of a verdict, and lingered over the end of it: it describes the drawing-room from the wrong side of the railings.
“That’s a hit,” said Kit, delighted. “That’s a palpable hit.”
“Is it true?” said Clemency.
“Of course it’s true. Pelham says so. Pelham dined in Grosvenor Square in the year eleven and has talked of nothing else since.” He refilled his glass.
“The railings go along the area, Clem, to keep you from falling into the kitchen. Anybody knows that.”
Anybody who had been let in knew it. She sat with her fork in her hand and saw, with the sudden plainness with which one sees the mistake in a sum that has been added up wrong for a month, where she had got her railings. In Bread Street there had been posts along the kerb, to keep the carts off the pavement, and she had grown up behind them; and when she had needed a house in Grosvenor Square she had built it out of the only street she knew, and set the railings where the posts were. She had never been in Grosvenor Square. She had never been in Mount Street. She had written six numbers about a house in it, and sold them, and been liked for them by a lady in Russell Square, and she had never once walked down it, because one cannot walk down Mount Street with a parcel, and she had never had any reason to be there without one.
“Have you anything in the Ludgate this month, Clem?” said Kit, turning the page.
“A little.”
“What about?”
“A footman.”
Kit laughed so much that he had to put the Albemarle down. “Lord, Clem, you might write about something,” he said; and Lucy laughed too, because Kit had, and their mother said that she did not see that a footman was any laughing matter, she had known a great many; and the supper went on.
Clemency sat it out. She sat out the oysters, and Mr. Wray’s peroration, and the cheese, and Kit’s opinion of the Cockney School, which was Mr. Pelham’s, because to have got up and gone into the back room would have been to own that any of it was hers.
They went to bed at eleven. Kit left the Albemarle on the table among the oyster shells, as he left everything, and Clemency waited until the house had done creaking, and then took it, and a candle, through to the back room, where the desk was.
She read Mr. Wray again by herself, from the beginning, which was worse than hearing it. It was clever; Mr. Baldock was right. He had read her, and read her more carefully than she had supposed anybody in Albemarle Street read anything, and he had found the one thing in six numbers that she could not have known, and had known that she could not have known it. She would go and look at Mount Street. She did not yet know how a woman walked down Mount Street without a parcel, or what she would say to anyone who asked her what she was doing there; but she would find out, as she found out most things, by taking more trouble
about it than it deserved.
Then she turned the page past Mr. Wray, because the Warden was in the number, and she read the Warden now. She sat down to it. It was one of the things she did not do.
The eleventh number opened at Ludlow at Michaelmas, which the Warden kept with a feast and Salisbury Square had kept on Wednesday with the rent; and there was a girl at the feast: a Welsh girl, a hostage, the first woman to whom the Warden had given a sentence of her own in eleven numbers. Clemency did not know the sentence at once. She read it as one reads a letter in a strange hand, and she was halfway through the second clause before the hand turned out to be her own.
The Lady Gwenllian understood, between the grace and the first dish, that she would not be called up to the high table; and she sat out the rest of the feast in the gown that had been made for it, because to send for another would have been to own that she had hoped.
She sat quite still.
It was Miss Mortimer. It was Miss Mortimer to the last stone, except where it was not: the soup and the fish had gone back four hundred years and become a grace and a dish, Lady Harrowgate’s had become a high table, and the gown had been made for the feast instead of merely put on for it. And at the end, where she had written that the girl would not go up and change because to change would be to admit that she had known, somebody had taken out the one word on which the whole sentence turned, and put in another; and the word was hoped.
It had been read, then. Not looked into, nor subscribed to, nor taken to pieces over the oysters, but read: the fourth number, in August, through Mrs. Mortimer’s carriage and the dinner at six, to the one sentence in it she had been proud of and had shown to nobody. And whoever had read it had known that it was hers to be proud of, and had taken it, which was the only way of saying so that was open to him; and had sent it back to her on the first of October, as she had sent him his on the first of September, so that she should know that it had been noticed. She had been right in every particular but the last. A man of that kind did read the Mortimers. He had read them, it seemed, as she read the Warden.
Over the roofs the giants of St. Dunstan’s began to strike twelve, and the first of October went out with them.
She had never been able to decide what the girl in her portfolio would look like at the moment she understood. There was nobody in the room to see her face.
(To be continued.)
Edited by Michael Cummins. Written in full collaboration with Anthropic’s Claude models, and set here as it might have appeared in a London magazine of 1819. Read the announcement, with the plan of London.