Tag Archives: Publishing

Book Reviews, Journalism, Profiles

Review: Graydon Carter’s Wild Ride Through A Golden Age Of Magazines

THE NEW YORKER MAGAZINE (March 15, 2025):

Style is said to be singular, which makes it difficult to define. It is personal, though its appreciation can be broad, and it is not the same as fashion—many people hold the terms to be opposed. Generally speaking, it rises from confidence in being one thing and not another, and in knowing when to join and when to pull back from the pack. The great promulgator of style, through much of the previous century, was the editor of magazines.

Across the twentieth century, New York magazines were powerful convening spaces—not just for readers but for journalists, artists, photographers, and literary writers. 

Graydon Carter, a former editor of Spy, the New York Observer, and Vanity Fair, has been held up over the years as a force of style, both in his personal life (he dresses well) and in his expansive vision of creative work. At Vanity Fair, Carter gave the movie industry a layer of polish and championed a particular idea of the good life—affluent and lush, yet seriously engaged in the world. As a New York restaurateur, he helped to promote a certain kind of refined dining: intimate, convivial, and bound to specific neighborhoods. And, as a power player, he remains a background impresario, helping to launch movies, shape events, and assemble people. All these activities are exercises in style, and all, in his telling, grew from his editorial work during an especially prosperous and thrilling era in American magazines. That era is the subject of the memoir “When the Going Was Good: An Editor’s Adventures During the Last Golden Age of Magazines” (Penguin Press), which Carter has written with the ghostwriter James Fox.

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Commercial culture and electoral politics share a basic truth: people want to feel a little rich, a little powerful. They want to brush against magic and mystery—rooms within rooms—and to move through a surprising, expansive world. Over the years, so many creative enterprises have been stripped of these qualities, leaving them lustreless and diminished. The paths of people like Carter are a measure of the golden age lost. But their memories are proof of the promise that remains. ♦

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Nathan Heller began contributing to The New Yorker in 2011 and joined the magazine as a staff writer in 2013.

Education, Essays, Publishing

Essay: ‘This Is A Golden Age For University Presses’

THE CHRONICLE OF HIGHER EDUCATION (February 7, 2025): As part of my freelance work with Kent State University Press, I’m spending some of this winter drumming up awareness of Ghosts of an Old Forest, by Deborah Fleming, a retired professor of English at Ashland University. It’s a task made considerably easier by the success of Fleming’s previous book, also with Kent State. Resurrection of the Wild won the 2020 PEN/Diamonstein-Spielvogel Award for the Art of the Essay, judged that year by Jelani Cobb, Daniel Menaker, and Judith Thurman.

Those are marquee names, and my Kent State colleagues got to celebrate at a ceremony emceed by Seth Meyers — not the kind of thing most readers typically associate with university-press publishing. But Kent State is not alone in its success, even among its small cohort of university presses in Ohio. Last fall the tiny University of Akron Press had the winner of the National Book Award for poetry with Lena Khalaf Tuffaha’s Something About Living. (That ceremony was overseen by Kate McKinnon.) Ohio State University Press had a National Book Award finalist in the highly competitive nonfiction category back in 2020 with How to Make a Slave and Other Essays, by Emerson College’s Jerald Walter. Just in one state, the list of nationally recognized books from university presses is impressive. Expand out and you get much more, including Percival Everett’s Erasure, the inspiration for the Oscar-nominated movie American Fiction. It was originally published by the University Press of New England. Imagine the world without these books.

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