LITERARY HUB (February 14, 2025): I first read Laurence Sterne’s The Life and Opinions of Tristram Shandy as a teenager. I was hungry to assert maturity through my reading habits, to bypass YA fiction in favor of books for adults, and so initially its playful visuals made me frown; I associated illustrations with children’s books. Soon, however, I realized how sophisticated and delightful they were.
The squiggle representing the emphatic twirling of Corporal Trim’s cane. A blank page where the reader is invited to imagine how Widow Wadman might look—”paint her to your own mind.” A marbled block which the reader can gaze into and contemplate the mysteries of life. And—my favorite—the iconic black page that represents the death of Parson Yorick.
Whilst Sterne was certainly an innovative writer ahead of his time, it is worth noting that this was not anarchic at the time of publication; other texts published in his era, such as funeral publications, also included black pages as a symbol of death. However, the image was unusual for a novel, and is a perfect visual representation of grief, inviting multiple interpretations—a dark tombstone, funeral attire, a bleak starless night, a black hole of grief.These books felt idiosyncratic, shaped by authorial intent, as if harking back to those medieval manuscripts where monks wrote in calligraphy and included beautiful pictures in colors bright as stained glass.