Tag Archives: Essays

Essays, Literature

The Unbearable Weight Of The Literary Canon

THE NEW STATESMAN MAGAZINE (March 19, 2025):

Nick Guest, from Alan Hollinghurst’s The Line of Beauty, is a consummate English protagonist: both an insider and an outsider, embarrassed by his provincial past, unsteady on his feet among the upper echelons of society, open in his distaste for the elite while desperate to be one of them. He has just graduated from Oxford with a first in English literature, and finds himself in the private library of Lord Kessler for a glittering moment of mid-bourgeois insecurity. Feeling “disqualified by his complete ignorance of money and aesthetic prejudice” Nick muses on his literary horizons: “Sometimes his memory of books he pretended to have read became almost as vivid as that of books he had read and half-forgotten.”

I haven’t pretended to have read something since I got caught out at college by a teacher over Aristotle’s Physics, Volume II. (Extraordinarily hard to blag your way through that one.) Still, I am sympathetic to Nick’s instincts. He is well read, and mildly anxious to admit to Kessler that he doesn’t know so much about the Victorian novelist Anthony Trollope. In the centuries-deep Western literary canon, Trollope might be a defensible blind spot for a 21-year-old. But in a universe in which Nick cannot signal aristocratic insideriness (he is from a run-of-the-mill market town) nor impress with wealth (his father is an antiques salesman), the literary realm has to suffice as his key-card to the British elite. The sound you hear is me cracking the spine of The Way We Live Now with studied determination.

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 But there are more antagonists than ever to contend with: the internet, performative anti-intellectualism, suspicion of intellectual ambition. I suspect the solution is to accept these forces exist and to carry on anyway, as though the ghost of Harold Bloom is haunting me: come on, young lady, Ulysses will not read itself!  

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Finn McRedmond is a commissioning editor and writer at the New Statesman.

Essays, Ideas

Ideas: ‘Buy, Borrow, Die’

THE ATLANTIC MAGAZINE (March 17, 2025):

America’s superrich have always found ways to avoid paying taxes, but in recent years, they’ve discovered what might be the mother of all loopholes. It’s a three-step process called “Buy, Borrow, Die,” and it allows people to amass a huge fortune, spend as much of it as they want, and pass the rest—untaxed—on to their heirs. The technique is so cleverly designed that the standard wish list of progressive tax reforms would leave it completely intact.

Step one: buy. The average American derives most of their disposable income from the wages they earn working a job, but the superrich are different. They amass their fortune by buying and owning assets that appreciate. Elon Musk hasn’t taken a traditional salary as CEO of Tesla since 2019; Warren Buffett, the chair of Berkshire Hathaway, has famously kept his salary at $100,000 for more than 40 years. Their wealth consists almost entirely of stock in the companies they’ve built or invested in. The tax-law scholars Edward Fox and Zachary Liscow found that even when you exclude the 400 wealthiest individuals in America, the remaining members of the top 1 percent hold $23 trillion in assets.

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In theory, a democratic system, operating on behalf of the majority, should be able to respond by making adjustments that force the rich to pay their fair share. But in a world where money readily translates to political power, voice, and influence, the superrich have virtually endless resources at their disposal to make sure that doesn’t happen. To make society more equal, you need to tax the rich. But to tax the rich, it helps for society to be more equal.

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Rogé Karma is a staff writer at The Atlantic.

Culture, Essays, Society

The Evils Of Rationalism

COMMENTARY MAGAZINE (March 14, 2025):

Late last year, when Luigi Mangione was arrested and charged with the murder of United Healthcare CEO Brian Thompson, something unexpected happened: A lot of people praised him for his actions, elevating Mangione to the status of secular saint for gunning down a man in cold blood. Both on social-media platforms, where he was hailed as a folk hero, and in person outside the New York City courthouse where dozens if not hundreds of supporters waved “Free Luigi” signs, a disturbingly large number of people seemed to be in agreement with Mangione’s claim, in the three-page manifesto found among his belongings, that “frankly, these parasites simply had it coming.”

Mangione’s views aren’t simply run-of-the-mill anti-capitalist rantings. They are grounded in part in the principles of the so-called Rationalist movement. Like many Rationalist (also called Gray Tribe) enthusiasts, Mangione is from a wealthy family, has an advanced degree, and has worked in the tech industry. He shares with the Gray Tribe an obsession with AI and some of ideas that the progression of artificial intelligence has brought to the fore.

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Similarly, a culture that embraces the idea that anything is fluid—even one’s own physical body or biological sex or even one’s reality—has a hard time making the case for limits. What comes to take the place of that case is an understanding of the world that says a man can become a hero for fatally shooting someone he doesn’t even know on a New York City street corner. Right now, it may go by the name of Rationalism, but it’s something older and deeper and more terrifying.

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Christine Rosen is a senior fellow at the American Enterprise Institute.

Essays, Society, Sociology

A New Scientific Field Is Recasting Who We Are And How We Got That Way

THE NEW YORK TIMES (March 13, 2025) By Dalton Conley

An illustration, in shades of brown and neon green, of a woman in a forest whose long flowing hair merges into the double helix of a DNA molecule.

Since Sir Francis Galton coined the phrase “nature versus nurture” 150 years ago, the debate about what makes us who we are has dominated the human sciences.

Do genes determine our destiny, as the hereditarians would say? Or do we enter the world as blank slates, formed only by what we encounter in our homes and beyond? What started as an intellectual debate quickly expanded to whatever anyone wanted it to mean, invoked in arguments about everything from free will to race to inequality to whether public policy can, or should, level the playing field.

Today, however, a new realm of science is poised to upend the debate — not by declaring victory for one side or the other, nor even by calling a tie, but rather by revealing they were never in opposition in the first place. Through this new vantage, nature and nurture are not even entirely distinguishable, because genes and environment don’t operate in isolation; they influence each other and to a very real degree even create each other.

The new field is called sociogenomics, a fusion of behavioral science and genetics that I have been closely involved with for over a decade. Though the field is still in its infancy, its philosophical implications are staggering. It has the potential to rewrite a great deal of what we think we know about who we are and how we got that way…

And my son’s future? It won’t be fated by a biological FICO score, even if it will be subtly guided by his genes as they shape his environmental path through life. It’ll be an unpredictable, surprising choose your own adventure — just as it should be.

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Dr. Conley is the author of “The Social Genome: The New Science of Nature and Nurture.”

Economics, Essays

Economics: It’s Time To Get Rid Of “Capitalism”

MODERN AGE – A CONSERVATIVE REVIEW (March 12, 2025):

The term “capitalism” is past its sell-by date. Why? It means too many things to too many different people to be useful. 

For some conservatives, capitalism is central to our American identity. This is despite the fact that none of the Founders had ever heard the term, which was not invented until 1850: James Madison, for example, advocated laws that “without violating the rights of property, reduce extreme wealth towards a state of mediocrity.”  

For the followers of Karl Marx, capitalism is an economic system that, while having unleashed great productive forces, relies on the exploitation of workers by a class of capitalists, who capture all the workers’ “surplus value” and put it in their own pockets. For Ayn Rand and her followers, however, capitalism is an “unknown ideal,” which could possibly come about if the government completely refrained from economic interventions. 

The market is an engine of great economic efficiency, but it is fundamentally amoral: No demonstration of the economic efficacy of market transactions can tell us if there are things that should not be bought or sold because allowing mere private demand for them to determine their availability is destructive for society as a whole.

If we recognize that all the complex societies embody some combination of markets and governmental creation of conditions that permit, ban, or encourage some sorts of market transactions, we might be able to embark on a more serious discussion of these matters, instead of continuing to bloviate about “capitalism.” 

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Gene Callahan is the author of Economics for Real People: An Introduction to the Austrian School and Oakeshott on Rome and America. He teaches computer science at NYU.

Culture, Essays, Social Media

Social Media: Instagram – Is Life Online Real?

YALE REVIEW (March 10, 2025)

Reality is a medium, and I’m thumbing through it. I’m on Instagram, where a video is a “Reel.” I land on an influencer who eats upsetting amounts of food and then runs until he has burned off all the calories. In this video, he eats eleven thousand calories of Taco Bell and then runs eighty-plus miles across thirteen-plus hours, posting a screenshot of his fitness tracker to prove it. He intersperses footage of himself on the toilet, audio included. He has posted dozens of videos using this formula. More than 140,000 people follow him.

What, exactly, is happening to me, my self, and my reality when I scroll on Instagram?

Without Instagram, I never would have seen something like this happen; in fact, it never would have happened at all. It’s a performance conducted by an individual but also the product of billions of human inputs. Our participation on social media as both creators and viewers trains the algorithms that organize their content, and these algorithms shape our tastes in turn. The influencers and the feeds they populate evolve together, recursively.

In the digital, reality, like scroll, becomes more verb than noun.

We are not even two decades into a vast, largely unregulated experiment in human psychology. This blur of experience, a composite of varied partial glimpses, is not something I or any of us evolved to digest. All these people, all these loops. I think of my baby nephew. Even in our one-to-one conversations on FaceTime, we inevitably shape his expectations of the real, setting a baseline for his neuroplastic brain that’s so tremendously different than mine. In the digital, reality, like scroll, becomes more verb than noun. Reality doesn’t merely exist; reality reels. My nephew will never know otherwise.

I’m haunted by that video of the runner. I thumb back up to find it, pop over to his profile. I see that in his more recent videos, he has begun challenging friends and strangers to eat-offs: a new shape for the performance. I’m grossed out and keep watching. I should know better, but I can’t help myself.

Jesse Damiani is a writer, curator, and foresight strategist. He hosts the Urgent Futures podcast and writes the Reality Studies newsletter.

Book Reviews, Essays, Literature, Travel

Literature & Travel: ‘The Light And The Poverty’

LOS ANGELES REVIEW OF BOOKS (LARB):

ONE DAY IN SUMMER, I took in the washing from the balcony of my flat in Central Athens. Wildfires had been raging on the outskirts of the city and I didn’t want my sheets to smell like smoke. All day, I’d been receiving messages from the government urging me to stay inside—messages, too, from visitors in town on their way to or from the islands, friends and friends-of, urging me out for a drink or a meal.

I paused to take in the view: an abandoned lot and a litter of inbred, cross-eyed cats, a street devoid of people, save for tourists and the unhoused, and that gauzy, yellow sky which I have grown to associate with summer in Greece. I went back inside, shut the windows, and returned to work on this essay, which began with a question I posed a few months prior, in the WhatsApp group for Salad Days, a reading series I run with my wife and a Greek writer and translator: “In the last 10 years, have more Greek novels been translated into English, or have there been more novels written by foreigners but set in Greece?”

Over the course of a few hours, we traded titles back and forth, before tallying up the results (dated here by their appearance in English):

Greeks: Amanda Michalopolou’s God’s Wife (2019) and Why I Killed My Best Friend (2014); Christos Chrissopoulos’s The Parthenon Bomber (2017); and Christos Ikonomou’s Good Will Come from the Sea (2019) and Something Will Happen, You’ll See (2016) (short stories but close enough).

Foreigners: Rachel Cusk’s Outline (2014), Katie Kitamura’s A Separation (2017), Cara Hoffman’s Running (2017), Andrew Durbin’s Skyland (2020), Hanna Johansson’s Antiquity (2024).

Partial Credit: Deborah Levy’s August Blue (2023), Megan Nolan’s Acts of Desperation (2021), Emmanuel Carrère’s Yoga (2022), Andrew Lipstein’s Last Resort (2022), all of which are written by foreigners but contain key sections set in Greece.

We were surprised by the results of our admittedly inexhaustive survey: we knew few contemporary Greeks had made it into English, the linguistic coin of the realm (here and in the writing world more generally), but we’d been only dimly aware of quite how many foreigners had made it in into Greece.

There’s some graffiti near my house that reads, “Tourists Enjoy Your Stay in the Cemetery of Europe.” I think the next great Greek novel will be about tourism, the lifeblood of the country, which is making it very sick, about the “ugly human being[s]” who descend every year to watch the country burn. Us, in other words. And when it comes, I hope the world will take notice.

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Dominic Amerena is an Australian writer living in Greece. His debut novel I Want Everything will be published this summer.

Climate Change, Essays, Foreign Affairs, Politics

‘The Coming Age Of Territorial Expansion’

FOREIGN AFFAIRS MAGAZINE (March 4, 2025):

ince the mid-twentieth century, the power dynamics and system of alliances that made up the postwar global order provided a strong check on campaigns to conquer and acquire territory—an otherwise enduring feature of human history. But rather than marking a definitive break from the aggression of the past, this era of relative restraint now seems to have been merely a brief deviation from the historical pattern. From Russia’s invasion of Ukraine to U.S. President Donald Trump’s avowed interest in acquiring Greenland, international land grabs are back on the table. Threats of territorial conquest are once again becoming a central part of geopolitics, driven by a new phase of great-power competition, growing population pressures, shifts in technology, and, perhaps most crucially, a changing climate.

International land grabs are back on the table.

The case of Greenland is emblematic of how climate change may spur a global contest for land. Trump first raised the prospect of the United States incorporating the Danish territory on the eve of his inauguration, and in the weeks since, he has reiterated that wish and refused to rule out the use of force to turn it into reality. Denmark is uninterested in selling Greenland, and the territory’s largely indigenous population is wary of outside powers—a legacy of the island’s brutal history under Danish rule. But that has not discouraged Trump’s overtures or threats. His interest in the territory stems ostensibly from its strategic position as a buffer between the United States and its great-power adversaries. “It has to do with the freedom of the world,” Trump said in January. But as the planet warms, retreating icecaps and thinning sea ice will make Greenland important for other reasons, as its vast tracts of once inhospitable land become newly alluring to outsiders.

Climate change will create problems for some countries and opportunities for others.

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International agreements and alliances, already fraying as great-power competition heats up, will struggle to contain these fights. In a world where might makes right, countries that find themselves seeking new territory may not hesitate to use force to get it. With the most dramatic effects of climate change still to come, the race for land is just getting started.

Michael Albertus is Professor of Political Science at the University of Chicago and the author of Land Power: Who Has It, Who Doesn’t, and How That Determines the Fate of Societies.

Economics, Essays, Politics

‘Just Another Liberalism’

THE HEDGEHOG REVIEW (March 1, 2025):

If critique could kill, neoliberalism would long be dead. So far, however, neither decades of intellectual opposition from the left and right nor the past decade of populist politics has done more than erode some measure of neoliberalism’s ideological preeminence. Talk from the right of “pro-family” policies, such as tax breaks and subsidies for having children, or moves by the Biden administration to secure domestic manufacturing of critical high-technology goods may hearten neoliberalism’s foes (even as they further blur the ideological map of American politics). Neither, however, offers anything like a consensus to replace the vision that, since the crises of the 1970s, has, with whatever degree of discontent, guided our collective thought and action.

Half a century ago, as the OPEC oil embargo and an unprecedented combination of inflation and unemployment disrupted the shared understanding of economics and politics that had oriented Western elites after World War II, neoliberalism became identified with a range of tactics for restoring economic growth. Understanding what neoliberalism is, and what its relation to liberalism might be, has been a central task for intellectuals ever since. Perhaps the first major thinker to undertake it was the French theorist Michel Foucault. In a series of lectures delivered at the Collège de France, in 1979, and originally intended to account for what he called “The Birth of Biopolitics,” he sidestepped the ostensible topic in favor of a study of the historical roots of neoliberalism and the philosophical essence of liberalism—and the relationship between the two.

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Left with no decent passions at its command, liberalism would be—and perhaps is—a spent force. But even illiberalism seems trapped within the specifically neoliberal anthropology, narrower and meaner than the expansive, polyvalent vision of humanity at the heart of the liberal tradition. And what comes may be still worse. The rational, self-interested individual, however base we consider him, possessed at least a certain coherence. Contemporary technologies of distraction seem to act increasingly on fragmented, disconnected parts of a splintering subject, while contemporary political rhetoric, in its systemic and transparent falsehoods, bypasses the minimal conditions of instrumental reason. If there is a subject of governance after neoliberalism, rather than transcending self-interest, he may be too psychically scattered and disoriented to be considered a self. The alternative to a recovery of the liberal imagination in its true political dimensions (and not merely as the false charms of an aestheticized inner life) may be neither illiberalism nor the neoliberal status quo but a new barbarism.

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Blake Smith is a historian of modern France and a literary translator. He is writing a book on Roland Barthes.

Essays, Ideas, Society

Ideas & Society: ‘The Winter Of Civilization’

AEON MAGAZINE (February 28, 2025):

I came across Byung-Chul Han towards the end of the previous decade, while writing a book about the pleasures and discontents of inactivity. My first researches into our culture of overwork and perpetual stimulation soon turned up Han’s The Burnout Society, first published in German in 2010. Han’s descriptions of neoliberalism’s culture of exhaustion hit me with that rare but unmistakable alloy of gratitude and resentment aroused when someone else’s thinking gives precise and fully formed expression to one’s own fumbling intuitions.

Han’s critique of contemporary life centres on its fetish of transparency; the compulsion to self-exposure driven by social media and fleeting celebrity culture; the reduction of selfhood to a series of positive data-points; and the accompanying hostility to the opacity and strangeness of the human being.

At the heart of Han’s conception of a burnout society (Müdigkeitsgesellschaft) is a new paradigm of domination. The industrial society’s worker internalises the imperative to work harder in the form of superego guilt. Sigmund Freud’s superego, a hostile overseer persecuting us from within, comes into being when the infantile psyche internalises the forbidding parent. In other words, the superego has its origin in figures external to us, so that, when it tells us what to do, it is as though we are hearing an order from someone else. The achievement society of our time, Han argues, runs not on superego guilt but ego-ideal positivity – not from a ‘you must’ but a ‘you can’. The ego-ideal is that image of our own perfection once reflected to our infantile selves by our parents’ adoring gaze. It lives in us not as a persecutory other but as a kind of higher version of oneself, a voice of relentless encouragement to do and be more.

To digitalise a painting is to decompose it, to deprive it of ground

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Josh Cohen is a psychoanalyst in private practice in London. He is professor emeritus of modern literary theory at Goldsmiths University of London. His latest books include Losers (2021) and All the Rage: Why Anger Drives the World (2024).