Tag Archives: Book Reviews

Book Reviews, Philosophy, Reviews

Review: ‘Hope, Despair And Retreat In An Unquiet Age’

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TIMES LITERARY SUPPLEMENT (March 13, 2025):

Three years before he vowed, in “Carrion Comfort”, not to feast on despair, the poet Gerard Manley Hopkins grieved the physical decay of growing old: “And wisdom is early to despair: / Be beginning; since, no, nothing can be done / … So be beginning, be beginning to despair”. We age, decline and die, like everyone we love.

Yet despair is not, to put it mildly, a popular stance. In his “Sonnets of Desolation”, Hopkins fought against it; and the poem that bids us despair was paired with verse consoled by “beauty’s self and beauty’s giver”, God. Forced to choose between optimism and pessimism, hope and despair, the well-adjusted opt for optimistic hope.

PESSIMISM, QUIETISM AND NATURE AS REFUGE by David E. Cooper

HOPEFUL PESSIMISM by Mara van der Lugt

Two recent books take issue with this upbeat orientation. Both defend pessimism, though to very different ends. Their arguments are timely. The past ten years have made it hard to be optimistic about humanity. We’ve squandered our best chance to confront the coming climate chaos – storms, droughts and famines that will mean suffering on a massive scale – and the looming crises of forced migration and resource scarcity have spawned reactionary nationalism, not solidarity. In the US, democracy is under threat. The damage will be difficult to repair: it’s easier to wreck trust and infrastructure than to build them up.

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Book Reviews, Essays, Literature, Travel

Literature & Travel: ‘The Light And The Poverty’

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LOS ANGELES REVIEW OF BOOKS (LARB):

ONE DAY IN SUMMER, I took in the washing from the balcony of my flat in Central Athens. Wildfires had been raging on the outskirts of the city and I didn’t want my sheets to smell like smoke. All day, I’d been receiving messages from the government urging me to stay inside—messages, too, from visitors in town on their way to or from the islands, friends and friends-of, urging me out for a drink or a meal.

I paused to take in the view: an abandoned lot and a litter of inbred, cross-eyed cats, a street devoid of people, save for tourists and the unhoused, and that gauzy, yellow sky which I have grown to associate with summer in Greece. I went back inside, shut the windows, and returned to work on this essay, which began with a question I posed a few months prior, in the WhatsApp group for Salad Days, a reading series I run with my wife and a Greek writer and translator: “In the last 10 years, have more Greek novels been translated into English, or have there been more novels written by foreigners but set in Greece?”

Over the course of a few hours, we traded titles back and forth, before tallying up the results (dated here by their appearance in English):

Greeks: Amanda Michalopolou’s God’s Wife (2019) and Why I Killed My Best Friend (2014); Christos Chrissopoulos’s The Parthenon Bomber (2017); and Christos Ikonomou’s Good Will Come from the Sea (2019) and Something Will Happen, You’ll See (2016) (short stories but close enough).

Foreigners: Rachel Cusk’s Outline (2014), Katie Kitamura’s A Separation (2017), Cara Hoffman’s Running (2017), Andrew Durbin’s Skyland (2020), Hanna Johansson’s Antiquity (2024).

Partial Credit: Deborah Levy’s August Blue (2023), Megan Nolan’s Acts of Desperation (2021), Emmanuel Carrère’s Yoga (2022), Andrew Lipstein’s Last Resort (2022), all of which are written by foreigners but contain key sections set in Greece.

We were surprised by the results of our admittedly inexhaustive survey: we knew few contemporary Greeks had made it into English, the linguistic coin of the realm (here and in the writing world more generally), but we’d been only dimly aware of quite how many foreigners had made it in into Greece.

There’s some graffiti near my house that reads, “Tourists Enjoy Your Stay in the Cemetery of Europe.” I think the next great Greek novel will be about tourism, the lifeblood of the country, which is making it very sick, about the “ugly human being[s]” who descend every year to watch the country burn. Us, in other words. And when it comes, I hope the world will take notice.

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Dominic Amerena is an Australian writer living in Greece. His debut novel I Want Everything will be published this summer.

Book Reviews, Essays, Literature

Book Reviews: ‘Silent Catastrophes – Essays In Austrian Literature’

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LONDON REVIEW OF BOOKS (February 21, 2025): Since the deplorably premature death of W G Sebald in a road accident in 2001, Jo Catling, a former colleague of his at the University of East Anglia, has been among the most dedicated keepers of his flame. Her latest tribute to Sebald is a translation in a single volume of his two collections of essays on Austrian literature, Die Beschreibung des Unglücks (‘The Description of Misfortune’) and Unheimliche Heimat (‘Strange Homeland’). Written mostly in the 1980s, these essays preceded the semi-fictional works, culminating in Austerlitz (2001), that made Sebald internationally known. They represent something rare in German but common in English: literary criticism, occupying the space between academic study and journalistic discussion. And they say more, and say it more searchingly, profoundly and pithily, than a cartload of academic monographs.

Sebald rapidly became alienated from the old-fashioned Germanistik he encountered at the University of Freiburg in the early 1960s. The professors, he felt, had culpably failed to reflect on the relations between literature and the recent German past. He found intellectual and ethical stimulus in the thinkers of the Frankfurt School, particularly Theodor Adorno and the idiosyncratic, always marginal genius Walter Benjamin. References to Benjamin and a range of psychologists and sociologists pepper these texts, reinforcing Sebald’s own insights.

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Book Reviews, Literature, Reviews

‘In Praise Of Artistic Experimentation In Literature’ (Review)

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LITERARY HUB (February 14, 2025): I first read Laurence Sterne’s The Life and Opinions of Tristram Shandy as a teenager. I was hungry to assert maturity through my reading habits, to bypass YA fiction in favor of books for adults, and so initially its playful visuals made me frown; I associated illustrations with children’s books. Soon, however, I realized how sophisticated and delightful they were.

The squiggle representing the emphatic twirling of Corporal Trim’s cane. A blank page where the reader is invited to imagine how Widow Wadman might look—”paint her to your own mind.” A marbled block which the reader can gaze into and contemplate the mysteries of life. And—my favorite—the iconic black page that represents the death of Parson Yorick.

Whilst Sterne was certainly an innovative writer ahead of his time, it is worth noting that this was not anarchic at the time of publication; other texts published in his era, such as funeral publications, also included black pages as a symbol of death. However, the image was unusual for a novel, and is a perfect visual representation of grief, inviting multiple interpretations—a dark tombstone, funeral attire, a bleak starless night, a black hole of grief.These books felt idiosyncratic, shaped by authorial intent, as if harking back to those medieval manuscripts where monks wrote in calligraphy and included beautiful pictures in colors bright as stained glass.

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Book Reviews, Reviews, Science

‘Can Understanding The Brain Make Us Better People?’ (Book Review)

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THE NEW YORK TIMES BOOK REVIEW (February 14, 2025)

CEREBRAL ENTANGLEMENTS: How the Brain Shapes Our Public and Private Lives, by Allan J. Hamilton

A profound and profoundly important book that, using the most up-to-date revolutionary discoveries in neuroscience, shows us how to understand the brain; how it allows us to think, feel, experience and perceive, written by an acclaimed Harvard-trained neurosurgeon.

The human brain! It’s amazing! A master conductor of our emotional symphonies, a supercomputer of intelligence, a treasure inside the “temple” of the skull, where it gloriously shimmers “vivid, vital, jewel-like.” I mean, is it any wonder we’re such a special species?

Sorry: I had to get that out of my system. Books built on hyperbole seem to bring out the worst in me. And “Cerebral Entanglements,” a new book by the surgeon and medical consultant Allan J. Hamilton, is so breathlessly excited about our brains and how they work, about the dazzle of new insights and technologies, that occasionally this reader felt compelled to take a break and fan herself.

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Deborah Blum is the director of the Knight Science Journalism Program at M.I.T. and the author of “The Poison Squad: One Chemist’s Single-Minded Quest for Food Safety at the Turn of the Twentieth Century.”

Book Reviews, Culture, Reviews, The Arts

“Leonardo Da Vinci – An Untraceable Life” (2025)

THE WALL STREET JOURNAL (February 7, 2025): The portrait of Mona Lisa by Leonardo da Vinci, more exactly the portrait of one Lisa Gherardini, was executed by fits and starts very early in the 16th century. By now it has been seen by billions of people and is regarded as a painting like no other. Many visitors to the Louvre, where the “Mona Lisa” is displayed, must surely go only to see what all the fuss is about.

Some people feel that the sitter’s beauty is perfect, others that her looks are nothing special. There are those who say, thinking perhaps of Nat King Cole’s charming song, that her smile is enigmatic. But a smile without a known reason is scarcely an enigma, a puzzle to be solved. What is enigmatic is the extent of Mona Lisa’s stardom.

Whatever its source, the aura surrounding the “Mona Lisa”—in addition to bringing millions of admission-paying visitors to the Louvre each year—has contributed to the pop superstardom of the painting’s creator. Leonardo is everywhere. The proliferation of biographies and videos, the ill-researched journalism, the pseudo-historical claims, the blockbuster shows, the promotion of newly touted works that may just possibly be unknown Leonardo pieces—all this is the subject of Stephen Campbell’s “Leonardo da Vinci: An Untraceable Life.”

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Book Reviews, Social Media, Technology

Book Reviews: ‘How Big Tech Mined Our Attention And Broke Our Politics’

THE NEW YORK TIMES BOOK REVIEW , February 9, 2025 Issue (By Jennifer Szalai)

On April 15, 1912, shortly after the Titanic collided with an iceberg off the coast of Newfoundland, the ship’s radio operator issued a distress call — a formidable display of the power of the radio, a new technology. But a lack of regulation in the United States meant that a cascade of amateur radio messages clogged the airwaves with speculation and rumors, and official transmissions had a hard time getting through. It was an early-20th-century form of information overload. “The false reports sowed confusion among would-be rescuers,” Nicholas Carr writes in “Superbloom.” “Fifteen hundred people died.”

SUPERBLOOM: How Technologies of Connection Tear Us Apart, by Nicholas Carr

THE SIRENS’ CALL: How Attention Became the World’s Most Endangered Resource, by Chris Hayes

Carr has been sounding the alarm over new information technology for years, most famously in “The Shallows” (2010), in which he warned about what the internet was doing to our brains. “Superbloom” is an extension of his jeremiad into the social media era.

Carr’s new book happens to be published the same day as “The Sirens’ Call,” by the MSNBC host Chris Hayes, which traces how big tech has made enormous profits and transformed our politics by harvesting our attention. Both authors argue that something fundamental to us, as humans, is being exploited for inhuman ends. We are primed to seek out new information; yet our relentless curiosity makes us ill equipped for the infinite scroll of the information age, which we indulge in to our detriment.

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Book Reviews, History

History Book Reviews: “A Century Of Tomorrows” – The Story Of Futurology

THE NEW YORK REVIEW OF BOOKS (February 7, 2025): Invited to compose a message for posterity to be buried in a time capsule at the 1939 New York World’s Fair and opened five thousand years later, Albert Einstein sounded a dour tone: “Anyone who thinks about the future must live in fear and terror.”

A Century of Tomorrows: How Imagining the Future Shapes the Present by Glenn Adamson

His gloom must have disappointed the sponsor, the Westinghouse Electric Corporation, which was promoting the fair’s theme, “The World of Tomorrow,” alongside other paragons of American industry. The Ford Motor Company featured the road of tomorrow, the Borden Dairy Company had the dairy world of tomorrow, and, most popular of all, General Motors presented Futurama, where visitors lined up for an eighteen-minute ride on a conveyer belt across an imagined landscape said to represent the marvels to come in the year 1960. Life magazine said it was “full of a tanned and vigorous people, who in twenty years have learned to have fun.” As they left, each visitor received a badge that read, “I have seen the future.” They really hadn’t.

Einstein was thinking about the looming war, of course, as was Thomas Mann, whose time capsule message was, “We know now that the idea of the future as a ‘better world’ was a fallacy of the doctrine of progress.” 

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Book Reviews, History, Reviews

Book Reviews: “Humans In Shackles – An Atlantic History Of Slavery” (LSE)

Humans in Shackles: An Atlantic History of Slavery. Ana Lucia Araujo. University of Chicago Press. 2024.

Humans in shackles cover

LSE REVIEW OF BOOKS (February 5, 2025): At the close of Toni Morrison’s Beloved, the eponymous revenant representing the deepest traumas of slavery’s violence has finally left the house she haunted. After a while, even her recurring footprints are forgotten: “by and by all trace is gone”. She is not simply forgotten but “disremembered and unaccounted for”. Howard University historian Ana Lucia Araujo’s hybrid trade-academic history of slavery makes specific reference to Beloved, the case of Margaret Garner that inspired it, and other horrific instances of infanticide from the Americas in a section that confronts the “combination of motherhood and slavery” as “haunted by tragedy” (323). This is just one example of the way in which Araujo’s book deliberately remembers and accounts for the individual lives, specific communities and broader cultural, social and economic structures touched, formed or devastated by chattel slavery and the Atlantic slave trade.  

Humans in Shackles has four distinct but related aims. First, it aims to decentre the United States and English-speaking Caribbean islands in the history of slavery, arguing that this imbalance neglects, in particular, the place of Brazil in the Atlantic slave trade. This attention to Brazil, where slavery was not abolished until 1888, reveals important archival gaps. For instance, despite the fact that around 5.7 million enslaved people boarded ships on the coast of West Central Africa, and that the majority of these people were transported to Brazil (estimates from the SlaveVoyages website), there are no published first-hand accounts by Africans boarding ships on this part of the coast.  

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