Tag Archives: Arts & Culture

Social Media: Instagram – Is Life Online Real?

YALE REVIEW (March 10, 2025)

Reality is a medium, and I’m thumbing through it. I’m on Instagram, where a video is a “Reel.” I land on an influencer who eats upsetting amounts of food and then runs until he has burned off all the calories. In this video, he eats eleven thousand calories of Taco Bell and then runs eighty-plus miles across thirteen-plus hours, posting a screenshot of his fitness tracker to prove it. He intersperses footage of himself on the toilet, audio included. He has posted dozens of videos using this formula. More than 140,000 people follow him.

What, exactly, is happening to me, my self, and my reality when I scroll on Instagram?

Without Instagram, I never would have seen something like this happen; in fact, it never would have happened at all. It’s a performance conducted by an individual but also the product of billions of human inputs. Our participation on social media as both creators and viewers trains the algorithms that organize their content, and these algorithms shape our tastes in turn. The influencers and the feeds they populate evolve together, recursively.


In the digital, reality, like scroll, becomes more verb than noun.

We are not even two decades into a vast, largely unregulated experiment in human psychology. This blur of experience, a composite of varied partial glimpses, is not something I or any of us evolved to digest. All these people, all these loops. I think of my baby nephew. Even in our one-to-one conversations on FaceTime, we inevitably shape his expectations of the real, setting a baseline for his neuroplastic brain that’s so tremendously different than mine. In the digital, reality, like scroll, becomes more verb than noun. Reality doesn’t merely exist; reality reels. My nephew will never know otherwise.

I’m haunted by that video of the runner. I thumb back up to find it, pop over to his profile. I see that in his more recent videos, he has begun challenging friends and strangers to eat-offs: a new shape for the performance. I’m grossed out and keep watching. I should know better, but I can’t help myself.

Jesse Damiani is a writer, curator, and foresight strategist. He hosts the Urgent Futures podcast and writes the Reality Studies newsletter.

“Leonardo Da Vinci – An Untraceable Life” (2025)

THE WALL STREET JOURNAL (February 7, 2025): The portrait of Mona Lisa by Leonardo da Vinci, more exactly the portrait of one Lisa Gherardini, was executed by fits and starts very early in the 16th century. By now it has been seen by billions of people and is regarded as a painting like no other. Many visitors to the Louvre, where the “Mona Lisa” is displayed, must surely go only to see what all the fuss is about.

Some people feel that the sitter’s beauty is perfect, others that her looks are nothing special. There are those who say, thinking perhaps of Nat King Cole’s charming song, that her smile is enigmatic. But a smile without a known reason is scarcely an enigma, a puzzle to be solved. What is enigmatic is the extent of Mona Lisa’s stardom.

Whatever its source, the aura surrounding the “Mona Lisa”—in addition to bringing millions of admission-paying visitors to the Louvre each year—has contributed to the pop superstardom of the painting’s creator. Leonardo is everywhere. The proliferation of biographies and videos, the ill-researched journalism, the pseudo-historical claims, the blockbuster shows, the promotion of newly touted works that may just possibly be unknown Leonardo pieces—all this is the subject of Stephen Campbell’s “Leonardo da Vinci: An Untraceable Life.”

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