Category Archives: Society

A New Scientific Field Is Recasting Who We Are And How We Got That Way

THE NEW YORK TIMES (March 13, 2025) By Dalton Conley

An illustration, in shades of brown and neon green, of a woman in a forest whose long flowing hair merges into the double helix of a DNA molecule.

Since Sir Francis Galton coined the phrase “nature versus nurture” 150 years ago, the debate about what makes us who we are has dominated the human sciences.

Do genes determine our destiny, as the hereditarians would say? Or do we enter the world as blank slates, formed only by what we encounter in our homes and beyond? What started as an intellectual debate quickly expanded to whatever anyone wanted it to mean, invoked in arguments about everything from free will to race to inequality to whether public policy can, or should, level the playing field.

Today, however, a new realm of science is poised to upend the debate — not by declaring victory for one side or the other, nor even by calling a tie, but rather by revealing they were never in opposition in the first place. Through this new vantage, nature and nurture are not even entirely distinguishable, because genes and environment don’t operate in isolation; they influence each other and to a very real degree even create each other.

The new field is called sociogenomics, a fusion of behavioral science and genetics that I have been closely involved with for over a decade. Though the field is still in its infancy, its philosophical implications are staggering. It has the potential to rewrite a great deal of what we think we know about who we are and how we got that way…


And my son’s future? It won’t be fated by a biological FICO score, even if it will be subtly guided by his genes as they shape his environmental path through life. It’ll be an unpredictable, surprising choose your own adventure — just as it should be.

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Dr. Conley is the author of “The Social Genome: The New Science of Nature and Nurture.”

Ideas & Society: ‘The Winter Of Civilization’

AEON MAGAZINE (February 28, 2025):

I came across Byung-Chul Han towards the end of the previous decade, while writing a book about the pleasures and discontents of inactivity. My first researches into our culture of overwork and perpetual stimulation soon turned up Han’s The Burnout Society, first published in German in 2010. Han’s descriptions of neoliberalism’s culture of exhaustion hit me with that rare but unmistakable alloy of gratitude and resentment aroused when someone else’s thinking gives precise and fully formed expression to one’s own fumbling intuitions.

Han’s critique of contemporary life centres on its fetish of transparency; the compulsion to self-exposure driven by social media and fleeting celebrity culture; the reduction of selfhood to a series of positive data-points; and the accompanying hostility to the opacity and strangeness of the human being.

At the heart of Han’s conception of a burnout society (Müdigkeitsgesellschaft) is a new paradigm of domination. The industrial society’s worker internalises the imperative to work harder in the form of superego guilt. Sigmund Freud’s superego, a hostile overseer persecuting us from within, comes into being when the infantile psyche internalises the forbidding parent. In other words, the superego has its origin in figures external to us, so that, when it tells us what to do, it is as though we are hearing an order from someone else. The achievement society of our time, Han argues, runs not on superego guilt but ego-ideal positivity – not from a ‘you must’ but a ‘you can’. The ego-ideal is that image of our own perfection once reflected to our infantile selves by our parents’ adoring gaze. It lives in us not as a persecutory other but as a kind of higher version of oneself, a voice of relentless encouragement to do and be more.

To digitalise a painting is to decompose it, to deprive it of ground

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Josh Cohen is a psychoanalyst in private practice in London. He is professor emeritus of modern literary theory at Goldsmiths University of London. His latest books include Losers (2021) and All the Rage: Why Anger Drives the World (2024).