Category Archives: Profiles

Books, Essays, History, Profiles, Reviews

The Enduring Power of Place: Step Into Historian David McCullough’s Work

By Michael Cummins, Editor, August 12, 2025

A vast stone arch, a suspension of steel, a ribbon of concrete stretching across a chasm—these are not merely feats of engineering or infrastructure. They are, in the words of the great historian David McCullough, monuments to the human spirit, physical places that embody the stories of ingenuity, perseverance, and sacrifice that created them. While the written word provides the essential narrative framework for understanding the past, McCullough’s work, from his celebrated biographies to his upcoming collection of essays, History Matters (2025), consistently champions the idea that visiting and comprehending these physical settings offers a uniquely powerful and visceral connection to history.

These places are not just backdrops; they are tangible testaments, silent witnesses to the struggles and triumphs that have shaped our world, offering a depth of understanding that written accounts alone cannot fully provide. In History Matters, McCullough writes, “History is a guide to navigation in perilous times. History is who we are and why we are the way we are.” This philosophy is the essay’s core, as we explore how the places he chronicled are integral to this understanding.

In his extensive body of work, McCullough frequently returned to this theme, demonstrating how the physical presence of a historical site grounds the abstract facts of the past in the authentic, palpable reality of the present. He believed that the stories of our past are a “user’s manual for life,” and that the places where these stories unfolded are the most direct way to access that manual. By examining four of his most iconic subjects—the Brooklyn Bridge, the “White City” of the 1893 World’s Fair, the Panama Canal, and Kitty Hawk—we can see this philosophy in action.

Each of these monumental endeavors was an audacious, against-all-odds project that faced incredible technical and personal challenges, including political opposition, financial struggles, and tragic loss of life. Yet, McCullough uses them as a lens to explore the character of the people who built them, the society of the time, and the very idea of American progress and ingenuity. These structures, built against overwhelming odds, stand as powerful reminders that history is an active, ongoing force, waiting to be discovered not just in books, but in the very soil and stone of the world around us.

The Brooklyn Bridge

The Brooklyn Bridge stands as a primary example of a physical place as tangible testimony to human ingenuity. In his landmark book The Great Bridge (1972), McCullough details the seemingly insurmountable challenges faced by the Roebling family in their quest to connect Manhattan and Brooklyn. In the mid-19th century, the idea of spanning the East River, with its powerful currents and constant ship traffic, was seen as an engineering impossibility. The technology for building such a massive structure simply did not exist. The bridge, therefore, was not merely constructed; it was invented. The vision of John Roebling, who conceived the revolutionary design of a steel-wire suspension bridge, was cut short by a tragic accident. His son, Washington, took over the project, only to be struck down by the debilitating effects of “the bends,” a crippling decompression sickness contracted while working in the underwater caissons. These massive timber and iron chambers, filled with compressed air, allowed workers to lay the foundations for the bridge’s monumental stone towers deep below the riverbed. The work was brutal, dangerous, and physically taxing. Washington himself spent countless hours in the caissons, developing the condition that would leave him partially paralyzed. As McCullough writes, “The bridge was a monument to faith and to the force of a single will.” This quote captures the essence of the Roeblings’ spirit, and the enduring structure itself embodies this unwavering faith.

Paralyzed and often bedridden, Washington continued to direct the project from his window, observing the progress through a telescope while his wife, Emily Warren Roebling, acted as his liaison and de facto chief engineer, mastering advanced mathematics and engineering to communicate her husband’s instructions to the men on site. The Roeblings’ story is a personal drama of vision and perseverance, and the physical bridge is a direct reflection of it. The monumental stone towers, with their Gothic arches, are a direct result of the design choices made to withstand immense pressure. The intricate web of steel cables, which Roebling so meticulously calculated, hangs as a monument to his genius. The wooden promenade, a feature initially ridiculed by critics, stands as a testament to the Roeblings’ foresight, offering a space for the public to walk and experience the grandeur of the structure.

A person can read McCullough’s narrative of the Roeblings’ saga and feel inspired by their resilience. However, standing on the promenade today, feeling the subtle vibrations of the traffic below, seeing the cables stretch into the distance, and touching the cold, ancient stone of the towers provides a profound, non-verbal understanding of the sheer audacity of the project. The physical object makes the story of vision, sacrifice, and perseverance feel not like a distant myth, but like a concrete reality, etched into the very materials that compose it. The bridge becomes a silent orator, telling its story without a single word, through its breathtaking scale and enduring presence. It connects us not only to a piece of engineering but to the very human story of a family that poured its life’s work into a single, magnificent idea.

The White City

The “White City” of the 1893 World’s Columbian Exposition, as chronicled in The Devil in the White City (2003), serves as a different but equally powerful example of a place as a testament to human will and ambition. Unlike the permanent structures of the Brooklyn Bridge and Panama Canal, the White City was a temporary, almost mythical creation. Built from scratch on swampy land in Chicago, it was a colossal feat of city planning and architectural design that captured the imagination of the world and showcased America’s coming of age. The place itself—with its majestic, neoclassical buildings, grand boulevards, and sprawling lagoons—was a physical manifestation of a nation’s collective vision. The narrative is driven by figures like architect Daniel Burnham, who, much like Washington Roebling, faced immense pressure, logistical nightmares, and constant political infighting. The physical challenges were immense: transforming a marsh into a breathtaking cityscape in just a few short years, all while coordinating the work of an entire generation of architectural titans like Frederick Law Olmsted and Louis Sullivan.

McCullough uses the White City to show how an ambitious idea can be willed into existence through relentless determination. The physical city, for its brief, glorious existence, was the living embodiment of American progress, ingenuity, and the Gilded Age’s opulent grandeur. It was a place where millions came to witness the future, to marvel at electric lights, and to see new technologies like the Ferris wheel. As McCullough writes, “The fair, a world of its own, had a power to transform those who visited it.” This quote highlights the profound, almost magical impact of this temporary place. However, McCullough masterfully contrasts the gleaming promise of the White City with the dark underbelly of the era, epitomized by the psychopathic serial killer H.H. Holmes and his “Murder Castle,” located just a few miles away. The physical contrast between these two places—the temporary, luminous dream and the permanent, sinister reality—is central to the book’s power. Even though the structures of the White City no longer stand, the historical record of this magnificent place—its photographs, its architectural plans, and McCullough’s vivid descriptions—serves as a tangible window into that moment in time, reminding us of the powerful, transformative potential of a shared human vision and the complex, often contradictory, nature of the society that produced it.

The Panama Canal

Finally, the Panama Canal serves as a powerful testament to the theme of human sacrifice and endurance. The canal was not just a feat of engineering; it was a grueling, decades-long battle against nature, disease, and bureaucratic inertia. As chronicled in McCullough’s Pulitzer Prize-winning book, The Path Between the Seas (1977), the French attempt to build a sea-level canal failed catastrophically under the direction of Ferdinand de Lesseps, the engineer of the Suez Canal. They grossly underestimated the challenges of the tropical climate, the unstable geology, and the devastating diseases, costing thousands of lives and ultimately leading to financial ruin. The subsequent American effort, led by figures like Dr. William Gorgas, who tirelessly fought the mosquito-borne diseases, and engineer John Frank Stevens, who abandoned the sea-level plan for a lock-and-lake system, was equally defined by a titanic human cost. The physical canal itself—the vast, deep Culebra Cut that slices through the continental divide, the enormous locks that lift ships over a mountain range, the sprawling Gatun Lake—serves as a permanent memorial to this immense struggle.

The sheer physical scale of the canal is an emotional and intellectual experience that far surpasses any numerical data. One can read that “25,000 workers died” during the French and American construction periods, a statistic that, while tragic, can be difficult to fully comprehend. But to stand at the edge of the Culebra Cut, staring down at the colossal gorge carved out of rock and earth, is to feel the weight of those lives. The physical presence of the cut makes the abstract struggle of “moving a mountain” feel real. The immense size of the locks and the power of the water filling them evokes a sense of awe not just for the engineering, but for the human will that made it happen. The canal is not just a shortcut for global trade; it is a monument to the thousands of unnamed laborers who toiled in oppressive conditions and to the few visionaries who refused to give up. As McCullough wrote, the canal was a testament to the fact that “nothing is more common than the wish to move mountains, but a mountain-moving event requires uncommon determination.” The physical place makes the concept of perseverance tangible, demonstrating in steel, concrete, and water that impossible tasks can be conquered through sheer, relentless human effort. The canal also represents a pivot point in American history, marking the nation’s emergence as a global power and its willingness to take on monumental challenges on the world stage.

Kitty Hawk

In The Wright Brothers, McCullough presents a different kind of historical place: one that is not a monumental structure, but a desolate, windswept beach. The story of Wilbur and Orville Wright’s quest to achieve controlled, powered flight is inextricably linked to this specific location on the Outer Banks of North Carolina. Kitty Hawk was not a place of grandeur, but one of raw, challenging nature. Its consistent, stiff winds and soft, sandy dunes made it an ideal testing ground for their gliders. This place was a crucial collaborator in their scientific process, a physical laboratory where they could test, fail, and re-evaluate their ideas in relative isolation. As McCullough writes of their success, “It was a glorious, almost unbelievable feat of human will, ingenuity and determination.” This triumph was born not on a grand stage, but on a patch of ground that was, at the time, little more than a remote stretch of sand.

McCullough’s narrative emphasizes how the physical conditions of Kitty Hawk—the powerful gales, the endless expanse of sand, and the isolation from the public eye—were essential to the Wrights’ success. They didn’t build a monument to their achievement in a city; they built it in the middle of nowhere. It was a place of quiet, methodical work, of relentless trial and error. The physical space itself was a character in their story, a partner in their success. The first flight did not happen on a grand stage, but on a patch of ground that was, at the time, little more than a remote stretch of sand. Today, when one visits the Wright Brothers National Memorial, the monument is not just the stone pylon marking the first flight, but the entire landscape—the dunes, the wind, and the expansive sky—that made their achievement possible. This place reminds us that some of history’s greatest triumphs begin not with a bang, but in the quiet, isolated spaces where innovation is allowed to thrive.

Conclusion

Beyond these specific examples, McCullough’s philosophy, as expected to be reiterated in History Matters, argues that this direct, experiential connection to place is vital for a vibrant and engaged citizenry. It is the authenticity of standing on the same ground as our forebears that makes history feel relevant to our own lives. A book can tell us about courage, but a place—the Brooklyn Bridge, the Panama Canal, the White City, or a humble battlefield—can make us feel it. These places are the physical embodiment of the narratives that have defined us, and by seeking them out, we are not simply looking at the past; we are a part of a continuous story. They remind us that the qualities of human ingenuity, sacrifice, and perseverance are not merely historical attributes, but enduring elements of the human condition, available to us still today.

Ultimately, McCullough’s legacy is not only in the stories he told but also in his fervent plea for us to recognize the importance of the places where those stories occurred. His work stands as a powerful argument that history is not abstract but is profoundly and permanently embedded in the physical world around us. By preserving and engaging with these historical places, we are not just honoring the past; we are keeping its most powerful lessons alive for our present and for our future. They are the tangible proof that great things are possible, and that the struggles and triumphs of those who came before us are forever etched into the landscape we inhabit today. His writings on these three monumental locations—one that stands forever as a testament to the Roeblings’ vision, another that vanished but whose story remains vivid, and a third that forever altered global commerce—each demonstrate the unique and irreplaceable power of place in history. As he so often reminded us, “We have to know who we are, and where we have come from, to be able to know where we are going.”

THIS ESSAY WAS WRITTEN AND EDITED UTILIZING AI

Analysis, Economics, Financial, Opinion, Profiles, Reviews

REVIEW: “A BIG, BEAUTIFUL BILL AND AN EVEN BIGGER DEBT: THREE PERSPECTIVES”

The following is an in-depth analysis of President Trump’s “One Big Beautiful Bill Act” written by ChatGPT from important, bi-partisan fiscal, economic and political sources, all listed below:

If there is one unassailable truth in American political life, it is that no grand legislative gesture arrives without the promise of prosperity—and the prospect of unintended consequences. Donald Trump’s “One Big Beautiful Bill,” signed into law on July 4th, stands as a monument to this dynamic: a sprawling package of permanent tax cuts, entitlement retrenchments, and fresh spending, all wrapped in a populist bow and accompanied by the familiar refrain that the deficits will somehow pay for themselves.

To understand the bill’s import—and its likely fallout—it helps to consider three vantage points. The first is that of Milton Friedman, who would see in these provisions a laboratory for the free market, tempered by fiscal illusions. The second is Paul Krugman’s, for whom this is a brazen experiment in upward redistribution. The third is David Stockman’s, whose uniquely jaundiced eye discerns an unholy alliance of crony capitalism and debt-fueled political theatre.

Friedman, the Nobel laureate and evangelist of free enterprise, might first commend the bill’s unapologetic tax relief. A permanent extension of the 2017 tax cuts is precisely the sort of measure he once called “a way to restore incentives, reduce distortions, and reward enterprise.” For Friedman, a tax system ought to be predictable, broad-based, and minimally intrusive. In this sense, the bill’s elimination of taxes on tips and overtime income, coupled with higher thresholds for the estate tax, will likely increase the incentive to work, save, and invest.

Yet Friedman would be quick to warn that no tax cut exists in a vacuum. The real test of fiscal virtue, he always argued, is not in slashing tax rates but in restraining spending. This bill, by combining aggressive tax cuts with continued defense expansions and only partial reductions to social spending, falls short of the discipline he prescribed. The result, Friedman would say, is a structural deficit that will eventually require either inflation or future tax hikes. “There is no such thing as a free lunch,” he liked to remind audiences. This is a lunch billed to generations unborn.

Krugman, viewing the same legislation, would perceive not a triumph of market freedom but an egregious abdication of public responsibility. He has long argued that the most misleading idea in modern politics is the notion that tax cuts inevitably pay for themselves. As the Congressional Budget Office’s scoring shows, the bill is likely to add over $3 trillion to the national debt in the next decade, even after accounting for higher GDP. Krugman would note that the permanent nature of the cuts deprives lawmakers of future leverage and crowds out investments in education, infrastructure, and health.

More pointedly, Krugman would argue that the bill’s distributional impact is regressive by design. Expanded deductions for capital gains and estates, the restoration of a higher SALT cap, and corporate incentives all tilt the benefits toward the affluent, while Medicaid cuts and SNAP work requirements fall hardest on those with the least. In Krugman’s view, this is not simply poor economics but a moral failing: a return to what he calls “the era of Dickensian inequality, dressed up in the rhetoric of growth.”

Yet the critique most likely to sting is the one that David Stockman would deliver. Unlike Krugman, Stockman began as a champion of supply-side tax reform. But he has since become its most unflinching critic. To him, the “Big Beautiful Bill” represents the final stage of a fiscal derangement decades in the making: a bipartisan addiction to borrowing and a refusal to reckon with arithmetic. “This is not capitalism,” Stockman might write, “it’s a simulacrum of capitalism—an endless auction of political favors financed by the Fed’s printing press.”

Stockman would remind readers that when he served as Reagan’s budget director, the expectation was that tax cuts would be offset by deep spending restraint. Instead, deficits ballooned and discipline eroded. The new bill, with its eye-watering cost and lack of credible offsets, is an even more flamboyant departure from any pretense of balance. Stockman would likely deride the Republican celebration as a form of magical thinking, no more credible than the illusions peddled by Democrats. In his telling, the bill is both symptom and accelerant of a broader collapse of fiscal sanity.

All three perspectives converge on a single point: the bill’s enormous impact on the debt trajectory. According to estimates from the Committee for a Responsible Federal Budget, the legislation could push the U.S. debt-to-GDP ratio past 145% by 2050—an unprecedented level for a peacetime economy. While proponents insist that higher growth will mitigate the burden, the Tax Foundation’s dynamic scoring suggests the additional output will cover only a fraction of the revenue loss.

Friedman would insist that economic growth requires both lower taxes and leaner government. Krugman would counter that social stability and productivity demand sustained public investment. Stockman would argue that the entire paradigm—borrowing trillions to finance giveaways—has become a bipartisan racket. Despite their ideological divergences, all three would agree that the arithmetic is merciless. Eventually, debts must be serviced, entitlements must be funded, and the dollar’s credibility must be defended.

What remains is the question of public memory. In the years ahead, as interest payments rise and fiscal constraints tighten, politicians will doubtless blame one another for the bill’s consequences. The narrative will fracture along familiar lines: Republicans will claim the tax cuts were sabotaged by spending; Democrats will argue the spending was hobbled by tax cuts. Independents will declare that neither side ever intended to balance the books. But the numbers, as Friedman and Krugman and Stockman all understood in their own ways, are immune to spin.

There is an old line, attributed variously to Keynes and to an anonymous Treasury mandarin, that the markets can remain irrational longer than you can remain solvent. Perhaps, in this case, Washington can remain irrational longer than the public can remain attentive. But eventually, the bill will come due—not only the legislation signed on Independence Day, but the larger bill for decades of self-deception.

A big, beautiful bill indeed. And perhaps, in the fullness of time, an even bigger, less beautiful reckoning.

Key Elements of the Bill

  • Permanent tax cuts (≈ $4.5 trillion): Extends nearly all parts of Trump’s 2017 Tax Cuts and Jobs Act, including individual rate brackets, expanded standard deduction, plus new deductions—no taxes on tips/overtime (through 2028), boosted SALT deduction ($40k cap for five years), larger child/senior credits, plus expansions like auto loan interest write-offs and “Trump Accounts” for parents apnews.com+15ft.com+15crfb.org+15.
  • Major spending cuts: $1–1.2 trillion in savings via Medicaid cuts (work requirements, provider taxes), SNAP/state cost-shifts, rollback of clean energy incentives .
  • Increased enforcement and defense: $150 B added to defense, another $150 B+ for border/ICE enhancements; ICE funding grows tenfold – now largest federal law enforcement budget .
  • Debt-ceiling hike: Allows a $4–$5 trillion statutory increase in borrowing authority as.com+3en.wikipedia.org+3reuters.com+3.

📊 Economic & Fiscal Outlook

🏛️ Congressional Budget Office (CBO)

🏦 CRFB & Budget Advocates

  • Committee for a Responsible Federal Budget (CRFB) puts the Senate’s reconciliation version at $4.1 trillion added debt through 2034—and warns a permanent version could add $5.3–5.5 trillion en.wikipedia.org.
  • CRFB also flags that Social Security and Medicare’s projected insolvency deadlines are now accelerated by roughly one year .

🧮 Tax Foundation

  • Estimates that permanent tax measures could yield a +1.2% GDP boost over the long run, but also slash federal revenue by $4 trillion (dynamically)—meaning growth would only cover ~19% of the revenue loss en.wikipedia.org+15en.wikipedia.org+15reuters.com+15.
  • Shorter-term growth boost around +0.6% by 2027, but turns mildly negative (–0.1%) by 2034 once fiscal constraints bite taxfoundation.org.

🌍 International Outlook (Moody’s, Reuters)

💬 Media & Policy Experts

  • Reuters warns of a “debt spiral,” with rising interest costs jeopardizing Fed independence .
  • FT, Washington Post, The Guardian, The Economist describe it as the largest GOP tax/deficit expansion since Reagan, dubbing it a “reverse Robin Hood”—favoring corporations and wealthy over vulnerable groups .
  • Economists at Yale, Penn warn severe health-care cuts could increase preventable mortality and financial distress en.wikipedia.org+1ft.com+1.

🔍 Bottom Line Summary

MetricEstimate
Deficit Increase (2025–34)$3.3–4.1 T (CBO: ≈ $3.4T; CRFB Senate: ≈ $4.1T)
Debt-to-GDP TrajectoryRising, potentially 145–200% by 2050
GDP Growth Impact+0.6% by 2027, fading to –0.1% by 2034
Revenue Loss~$4–5 T over a decade (dynamic)
Insured Loss & Social Costs~11 M fewer insured; Medicaid/SNAP and health impacts significant
  • Neutral consensus: Deficit historians, nonpartisan agencies agree debt will balloon sharply in absence of offsetting revenues or spending reversals.
  • Growth trade-off: While tax relief offers modest short-term growth, it does not offset long-run fiscal burdens.
  • Debt consequences: Higher mandatory interest costs, credit rating erosion, pressure on policy flexibility, and future tax hikes or spending cuts loom.

🧠 Final Take

Trump’s “One Big Beautiful Bill” delivers sweeping tax cuts, spending reductions in social safety nets, and major border/defense expansions—all rolled into one 940-page, $4–5 trillion fiscal package. Bipartisan institutions like the CBO, CRFB, Tax Foundation, and independent watchdogs align on its massive impact:

  1. Adds trillions to the deficit, sharply escalating national debt.
  2. Offers modest, short-term output gains, but risks longer-term economic drag.
  3. Amplifies fiscal risk, stokes interest burden, and could strain future budgets.
  4. Contains explicit regressive elements—favoring higher-income households and corporations over lower-income families and health-care access.

Here are the three writers whose vantage points are considered:

1️⃣ Conservative / Republican

Milton Friedman

Why he stands out:

  • Nobel Prize–winning economist and prolific writer whose work shaped modern conservative and libertarian economic thought.
  • Champion of free markets, limited government, and monetarism (the idea that controlling the money supply is key to managing the economy).
  • His books and columns influenced Ronald Reagan and Margaret Thatcher and remain foundational in debates about taxes, deficits, and regulation.
    Major Works:
  • Capitalism and Freedom (1962) – argued that economic freedom underpins political freedom.
  • Free to Choose (1980, with Rose Friedman) – a best-selling defense of deregulation, school vouchers, and lower taxes.
  • Columns for Newsweek and extensive public outreach (including the PBS series Free to Choose).

2️⃣ Liberal / Progressive

Paul Krugman

Why he stands out:

  • Nobel Prize–winning economist and prominent columnist who shaped liberal economic commentary from the 1990s onward.
  • A sharp critic of supply-side tax cuts, deregulation, and austerity.
  • Influential in Democratic policy debates on stimulus spending, inequality, and health care.
    Major Works:
  • The Conscience of a Liberal (2007) – traced the rise of inequality and made a moral case for progressive taxation and social insurance.
  • End This Depression Now! (2012) – argued forcefully for Keynesian stimulus after the Great Recession.
  • Columns in The New York Times, where he has been one of the most-read voices on economic policy.

3️⃣ Independent / Centrist

David Stockman

Why he stands out:

  • Former Reagan budget director who later became an iconoclastic critic of both parties’ fiscal excesses.
  • He helped design the Reagan tax cuts, but later turned against supply-side orthodoxy and big deficits.
  • His writings blend libertarian skepticism of big government with scathing critiques of Wall Street bailouts and crony capitalism.
    Major Works:
  • The Triumph of Politics: Why the Reagan Revolution Failed (1986) – a landmark insider account of budget battles and exploding deficits.
  • The Great Deformation: The Corruption of Capitalism in America (2013) – an encyclopedic denunciation of central banking, stimulus, and fiscal irresponsibility.
  • Regular commentary and op-eds across financial and political publications (The New York Times, Zero Hedge, The Atlantic).
Education, Essays, Profiles

Education: ‘The Rise And Fall Of The Campus Left’

THE CHRONICLE OF HIGHER EDUCATION By Robert S. Huddleston March 21, 2025

“And a soul / if it is to know itself / must look / into its own soul:
The stranger and the enemy, we’ve seen him in the mirror.”
—George Seferis, Mythistorema

The crackup of the liberal-left progressive coalition became  undeniable after the 2024 election. But it was a long time coming. Although pro-Palestinian campus protests were at the center of political debate during a pivotal election year, they reflected tensions that predated the dramatic rise in left-wing activism spurred by the October 7 Hamas attack on Israel. Some progressives have blamed former President Joe Biden’s support for Israel for the Democrats’ woes.

But the left’s ambivalent response to October 7 only widened rifts that had already begun to show—not just on Israel–Palestine but a host of issues including “wokeness,” gender identity, and the burgeoning of DEI programs on campuses and elsewhere. Clashes over the war in Gaza reflected the fracturing of the left’s broader coalitional project. To quote Ernest Hemingway, the longstanding post-civil-rights consensus over whose interests should prevail in the eyes of the liberal establishment fell apart in two ways: “Gradually, then suddenly.”

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Robert S. Huddleston teaches in the Expository Writing Program at New York University.

Book Reviews, Journalism, Profiles

Review: Graydon Carter’s Wild Ride Through A Golden Age Of Magazines

THE NEW YORKER MAGAZINE (March 15, 2025):

Style is said to be singular, which makes it difficult to define. It is personal, though its appreciation can be broad, and it is not the same as fashion—many people hold the terms to be opposed. Generally speaking, it rises from confidence in being one thing and not another, and in knowing when to join and when to pull back from the pack. The great promulgator of style, through much of the previous century, was the editor of magazines.

Across the twentieth century, New York magazines were powerful convening spaces—not just for readers but for journalists, artists, photographers, and literary writers. 

Graydon Carter, a former editor of Spy, the New York Observer, and Vanity Fair, has been held up over the years as a force of style, both in his personal life (he dresses well) and in his expansive vision of creative work. At Vanity Fair, Carter gave the movie industry a layer of polish and championed a particular idea of the good life—affluent and lush, yet seriously engaged in the world. As a New York restaurateur, he helped to promote a certain kind of refined dining: intimate, convivial, and bound to specific neighborhoods. And, as a power player, he remains a background impresario, helping to launch movies, shape events, and assemble people. All these activities are exercises in style, and all, in his telling, grew from his editorial work during an especially prosperous and thrilling era in American magazines. That era is the subject of the memoir “When the Going Was Good: An Editor’s Adventures During the Last Golden Age of Magazines” (Penguin Press), which Carter has written with the ghostwriter James Fox.

_____________________________

Commercial culture and electoral politics share a basic truth: people want to feel a little rich, a little powerful. They want to brush against magic and mystery—rooms within rooms—and to move through a surprising, expansive world. Over the years, so many creative enterprises have been stripped of these qualities, leaving them lustreless and diminished. The paths of people like Carter are a measure of the golden age lost. But their memories are proof of the promise that remains. ♦

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Nathan Heller began contributing to The New Yorker in 2011 and joined the magazine as a staff writer in 2013.