Category Archives: Humanities

Mathematics Essay: ‘Beyond Causality’

AEON (February 14, 2025): In 1959, the English writer and physicist C P Snow delivered the esteemed Rede Lecture at the University of Cambridge. Regaled with champagne and Marmite sandwiches, the audience had no idea that they were about to be read the riot act. Snow diagnosed a rift of mutual ignorance in the intellectual world of the West. On the one hand were the ‘literary intellectuals’ (of the humanities) and on the other the (natural) ‘scientists’: the much-discussed ‘two cultures’.

Mind and world are no separate spheres that must first be connected. Rather, both depend on each other

Snow substantiated his diagnosis with anecdotes of respected literary intellectuals who complained about the illiteracy of the scientists but who themselves had never heard of such a fundamental statement as the second law of thermodynamics. And he told of brilliant scientific minds who might know a lot about the second law but were barely up to the task of reading Charles Dickens, let alone an ‘esoteric, tangled and dubiously rewarding writer … like Rainer Maria Rilke.’

Mathematics mediates a conciliatory view that avoids the mistake of the naive realist and the naive idealist…

Ludwig Wittgenstein once said: ‘I want to show the colourfulness of mathematics.’ In that spirit, I placed mathematics at the centre of my project because, in my view, mathematics searches along more of these many paths than any other intellectual discipline. It is connected on a deep level both with the natural sciences and the humanities. It bridges the gulf between them, and it does so by putting certain metaphysical and epistemological dogmas into question, as will become clear in the following.

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Gordon Gillespie is an actuary, quantitative risk manager and data scientist. He has a doctorate in philosophy and is the author of the German-language book The Oracle of Numbers: A Short Philosophy of Mathematics (2023). He lives in Rüdesheim, Germany.

Humanities & Literature: ‘Fooled By Language’

FRONTLINE (February 12, 2025): In his incisive 1946 essay “Politics and the English Language”, George Orwell performs a brilliant autopsy on the art and craft of writing and communication. He focusses on how and what language manifests—or rather, fails to manifest—in political discourse. The master satirist, never one to mince words (though he’d be the first to appreciate the irony of that cliché), dissects the tendency of political language to change straightforward ideas into bloated, pretentious prose that obscures rather than enlightens.

Towards the end of this long essay lies a powerful statement: “Political language is designed to make lies sound truthful and murder respectable”. Clearly, Orwell was talking about how politicians and other public figures twist words to hide ugly truths. When leaders want to justify terrible or unpleasant actions, they turn to a vague, fancy vocabulary. Instead of saying “we killed civilians”, they might say, “collateral damage occurred during military operations”. This kind of cloudy language makes it harder for people to understand what really happened or will happen.

Language shapes perception. It defines how we see the world and the forces that power it. In an ideal scenario, words like “development”, “reform”, and “progress” should inspire optimism, suggesting a march towards a better future. But in practice, these terms become euphemisms for destruction. Beneath their hopeful facades, they have hidden environmental devastation, the displacement of indigenous communities, and the widening gap between the rich and the poor. If we strip away their idealistic veneer, we uncover a history of exploitation and loss—one that continues to this day.

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The Humanities: ‘We Are Mythmaking Creatures’

OXFORD UNIVERSITY PRESS BLOG (February 9, 2025): Many of us feel disconnected, from ourselves, from others, from nature. We feel fragmented. But where are we to find a cure to our fragmentation? And how can we satisfy our longing for wholeness? The German and British romantics had a surprising answer: through mythology.

The romantics believed that in modern times we’ve forgotten something essential about ourselves. We’ve forgotten that we are mythmaking creatures, that the weaving of stories and the creation of symbols lies deep in our nature.

Today, we view myths as vestiges of a bygone era; products of a time when humanity lived in a state of childlike ignorance, lacking science and technology and the powers of rational reflection. William Blake (1757–1827) rejected this bias against mythology, as did Friedrich Schlegel (1772–1829), Samuel Taylor Coleridge (1772–1834), Friedrich von Hardenberg (1772–1801), and John Keats (1795–1821), among others. They claimed that the worldview we now inhabit is a mythology of its own.

Here are four ways the romantics worked to address them:

1. Reinterpretation. Ancient myths are complex, even confusing, and their meaning is always open to interpretation and reworking.

Shelley’s play Prometheus Unbound is not a simple retelling of a classic myth. He reinvests the story with new meaning by positioning Prometheus as a symbol of humanity who struggles against Jupiter, a symbol of inhumanity. The old myth then acquires fresh significance; it becomes applicable to our modern yearning for community and connection with nature.

2. Reconciliation. The human mind abounds in dualities that can intensify feelings of separation; myths allow us to extend our minds beyond these dualities, thereby instilling feelings of unity.

Blake writes about how the mind creates contraries, such as “reason” and “feeling,” “man” and “woman,” “heaven” and “hell.” His literary and visual work afford us the opportunity to see that these oppositions are not absolute; they are two sides of a whole. A new poetic mythology can allow us to intuit this; it can open the “doors of perception” in ways that allow us to see the unity of the spiritual and the sensual.

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Owen Ware is Professor of Philosophy at the University of Toronto. He is the author of Return of the Gods (OUP, 2025), Fichte’s Moral Philosophy (OUP, 2020), Kant’s Justification of Ethics (OUP, 2021), Kant on Freedom (CUP, 2023), Indian Philosophy and Yoga in Germany (Routledge, 2024), and the co-editor of Fichte’s System of Ethics: A Critical Guide (CUP, 2021).